A work in constant progress (and occasional regress).
Alias:
Enrique Gaertner
Enrique Guerner
Enrique Gärtner
Heinrich Gaertner
Heinrich Gartner
Henrique Guerner
Henry Gartner
Birthplace:
Radautz, Bukovina, Austria-Hungary [now Radauti, Romania]
Born:
March 16, 1895
Died:
December 1, 1962
Heinrich Gärtner (1895–1962) was an Austrian cinematographer who worked on over 180 films during his career. He is often credited as Enrique Guerner in his later films. Gärtner was born in Radautz which was then part of the Austro-Hungarian Empire, but later became Rădăuți in Romania. He entered the German film industry in 1915, and worked prolifically during the silent era. As Gärtner was of Jewish descent, he was forced to flee Germany once the Nazis gained power in 1933. He settled in Spain, where he continued to work following Franco's victory in the Spanish Civil War. Gärtner was an influential figure in Spanish cinema, introducing elements of expressionism and training rising filmmakers such as Alfredo Fraile, José F. Aguayo and Cecilio Paniagua. He is best known for his work in collaboration with the director Ladislao Vajda on 'Marcelino pan y vino', 'Mi tío Jacinto' y 'It Happened in Broad Daylight'.
Camera Operator:
1942 Raza
Cinematography:
1921 Die schwarze Spinne
1926 The Chaste Susanne
1927 The Masked Mannequin
1928 Das Girl von der Revue
1935 Do, re, mi, fa, sol, la, si
1936 Currito de la Cruz
1938 Ciudad Universitaria
1939 Long Live the Free People
1942 Raza
1943 La casa de la lluvia
1944 Ana María
1949 ¡Fuego!
1951 Fairytale
1952 Flamenco
Director of Photography:
1915 Um 500.000 Mark
1916 Life Upon Life
1921 Die schwarze Spinne
1921 Madame X und die Schwarze Hand
1922 The Circle of Death
1923 Time Is Money
1924 Cold Heart
1925 Die Motorbraut
1925 Luxusweibchen
1926 The Chaste Susanne
1927 Die tolle Lola
1927 The Masked Mannequin
1928 Das Girl von der Revue
1928 Song
1928 Whirl of Youth
1929 Pavement Butterfly
1929 Wer wird denn weinen, wenn man auseinandergeht?
1930 Night Birds
1930 The Flame of Love
1930 The Gripper
1930 The Road to Dishonour
1930 We Take Off Our Hats
1931 Let's Love and Laugh
1932 The Blue from the Sky
1932 Theodor Körner
1934 Doña Francisquita
1934 Gado Bravo
1934 I'm a Gentleman
1934 Police File 909
1934 Sister San Sulpicio
1935 Broken Lives
1935 Do, re, mi, fa, sol, la, si
1935 Nobleza baturra
1936 Currito de la Cruz
1936 Morena clara
1938 Ciudad Universitaria
1939 Long Live the Free People
1940 Boy
1941 Stowaway on Board!
1942 Raza
1942 Unos pasos de mujer
1943 La casa de la lluvia
1944 Ana María
1944 Inés de Castro
1944 Orosia
1945 Los últimos de Filipinas
1946 El doncel de la reina
1947 Fuenteovejuna
1947 Três Espelhos
1948 Brindis a Manolete
1949 ¡Fuego!
1950 Cuentos de la Alhambra
1951 Fairytale
1951 The Great Galeoto
1952 Amaya
1952 Flamenco
1952 The Devil's Roundup
1954 Como la tierra
1954 Haute Couture
1954 Las últimas banderas
1954 Tres eran tres
1955 The Miracle of Marcelino
1956 Afternoon at the Bulls
1956 Uncle Hyacynth
1957 The Man Who Wagged His Tail
1958 It Happened in Broad Daylight
1959 De espaldas a la puerta
1961 Siega verde
1962 You and I Are Three
???? Das Tagebuch Collins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.