Emilio Ruiz del Río

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Art Direction:
1973  Counselor at Crime
1977  Journey to the Centre of the Earth
1979  Supersonic Man

Matte Painter:
1959  The Last Days of Pompeii
1973  Counselor at Crime
1977  Journey to the Centre of the Earth
1979  Supersonic Man

Production Design:
1959  The Last Days of Pompeii
1973  Counselor at Crime
1977  Journey to the Centre of the Earth
1979  Supersonic Man
1981  Mystery on Monster Island

Scenic Artist:
1959  The Last Days of Pompeii
1961  El Cid
1973  Counselor at Crime
1977  Journey to the Centre of the Earth
1979  Supersonic Man
1981  Mystery on Monster Island

Set Decoration:
1959  The Last Days of Pompeii
1961  El Cid
1973  Counselor at Crime
1973  Here We Go Again, Eh Providence?
1973  High Crime
1973  White Fang
1977  Journey to the Centre of the Earth
1979  Supersonic Man
1981  Mystery on Monster Island

Special Effects:
1957  ...And She Chose Hell
1958  Those times of the cuplé
1959  The Last Days of Pompeii
1961  El Cid
1969  Eagles Over London
1973  Counselor at Crime
1973  Here We Go Again, Eh Providence?
1973  High Crime
1973  White Fang
1974  And Then There Were None
1977  Journey to the Centre of the Earth
1979  Supersonic Man
1981  Mystery on Monster Island
1982  Conan the Barbarian

Visual Effects:
1957  ...And She Chose Hell
1958  Those times of the cuplé
1959  The Last Days of Pompeii
1961  El Cid
1968  Kill Them All and Come Back Alone
1969  Eagles Over London
1973  Counselor at Crime
1973  Here We Go Again, Eh Providence?
1973  High Crime
1973  White Fang
1974  And Then There Were None
1975  Cry, Onion!
1977  Journey to the Centre of the Earth
1979  Operation Ogre
1979  Supersonic Man
1981  Mystery on Monster Island
1982  Conan the Barbarian

Visual Effects:
1980  Fortunata and Jacinta

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.