A work in constant progress (and occasional regress).
Alias:
Derek S. Howard
Birthplace:
Vancouver, British Columbia, Canada
Derek Howard is a director and cinematographer from Vancouver, Canada. His collaborations on short and feature length documentary and fiction films have led to screenings at the Venice Film Festival, Toronto International Film Festival, Sundance Film Festival, HotDocs, IDFA, Clermont-Ferrand, Festival du Nouveau Cinéma (Montreal), Festival des Films du Monde (Montreal), and many more. Derek has participated in the International Documentary Film Festival of Amsterdam's Summer School, IDFAcademy, Reykjavik International Film Festival's Trans Atlantic Talent Lab, and the Berlinale Talents program. Derek was the assistant director and 2nd DOP on renowned director Victor Kossakovky's Venice Film Festival opening night gala film "Vivan Las Antipodas" (2011), and Oscar shortlisted "Aquarela" (2018). He shot Brett Story's latest documentary "The Hottest August," (True/False, SXSW, & Hotdocs 2019) as well as Emelie Mahdavian's feature length debut documentary "Bitterbrush." Most recently, Derek directed a short documentary called "The Harvesters" that premiered at the VIFF (2018) and True/False (2019), and is completing another short called "Underground" about sexual harassment on the subway.
Additional Camera:
2019 Hail Satan?
2022 The Colour of Ink
Additional Photography:
2019 Hail Satan?
2022 The Colour of Ink
2024 BRATS
2024 The ABCs of Book Banning
Camera Operator:
2019 Hail Satan?
2020 Down a Dark Stairwell
2022 The Colour of Ink
2024 BRATS
2024 The ABCs of Book Banning
Cinematography:
2019 Hail Satan?
2020 Down a Dark Stairwell
2022 The Colour of Ink
2024 BRATS
2024 Stormy
2024 The ABCs of Book Banning
Director:
2018 The Harvesters
2019 Hail Satan?
2020 Down a Dark Stairwell
2022 The Colour of Ink
2023 Not Wasting My Time
2023 Underground
2024 BRATS
2024 Stormy
2024 The ABCs of Book Banning
Director of Photography:
2011 Derailments
2013 My Prairie Home
2018 The Castle
2018 The Harvesters
2019 Hail Satan?
2019 The Hottest August
2020 David Harvey and the City
2020 Down a Dark Stairwell
2021 Annea Lockwood: A Film About Listening
2021 Sisters on Track
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 The Colour of Ink
2023 Not Wasting My Time
2023 PLAN C
2023 Underground
2024 BRATS
2024 Stormy
2024 The ABCs of Book Banning
2024 The Tuba Thieves
Editor:
2011 Derailments
2012 Bakhmaro
2013 My Prairie Home
2018 The Castle
2018 The Harvesters
2019 Hail Satan?
2019 The Hottest August
2020 David Harvey and the City
2020 Down a Dark Stairwell
2021 Annea Lockwood: A Film About Listening
2021 Sisters on Track
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 The Colour of Ink
2023 Not Wasting My Time
2023 PLAN C
2023 Underground
2024 BRATS
2024 Stormy
2024 The ABCs of Book Banning
2024 The Tuba Thieves
Producer:
2011 Derailments
2012 Bakhmaro
2013 My Prairie Home
2018 The Castle
2018 The Harvesters
2019 Hail Satan?
2019 The Hottest August
2020 David Harvey and the City
2020 Down a Dark Stairwell
2021 Annea Lockwood: A Film About Listening
2021 Sisters on Track
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 The Colour of Ink
2023 Not Wasting My Time
2023 PLAN C
2023 Underground
2024 BRATS
2024 Stormy
2024 The ABCs of Book Banning
2024 The Tuba Thieves
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.