Dilyana Popova (b. 1981)

Alias:
Диляна Попова

Birthplace:
Gulyantsi, Bulgaria

Born:
September 24, 1981

Dilyana Popova is an actress and model born in Bulgaria.  Her big debut was the role in the movie Love.net (2011). Dilyana also starred in numerous TV series such as Class House (2010-), Velika Bulgaria (2011-), and Revolution Z (2012-), which was later continued by Revolution X: The Movie (2018).  The latest leading role she played was Maria in the biographical drama The Rest is Ashes (2020), dedicated to Atanas Burov - a cult Bulgarian banker and philanthropist of the last century (starring Asen Blatechki).  She also starred in several foreign productions like Train (2008), Joy & Sorrow of the Body (2012), and Death Race 4: Beyond Anarchy (2018) with Lucy Aarden and Danny Glover.  Dilyana's other film credits include One More Dream (2012), Sex Academy: Men (2017), and the short story Malice (2017).  She recently appeared in Niki Iliev's romantic comedy Reunion (2019) and also participated in the movie Bad Girl (2019).  When she is not acting, Dilayana devotes her time to environmental activism focused on recycling awareness, cleaning polluted areas, and other social causes.

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Executive Producer:
2023  Chalga

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.