A work in constant progress (and occasional regress).
Alias:
Sergei Makovetskiy
Sergey Makovetskiy
Sergey Makovetsky
Маковецкий Сергей Васильевич
Сергей Маковецкий
Birthplace:
Kiev, Ukrainian SSR, USSR [now Ukraine]
Born:
June 13, 1958
Sergei Vasilevich Makovetsky was born on June 13, 1958, in Darnitsa, a suburb of Kiev, Ukraine. Though he excelled at swimming and water polo and had aspirations to join the Soviet Olympic Team, his single mother encouraged him to pursue a more creative line of expression. When his application to study acting at Kiev Theatrical College was denied, Makovetsky moved behind the scenes working as a set decorator in Kiev before relocating to Moscow. Rejection from several Moscow theater schools and acting companies was bolstered by a more welcome rejection from the Soviet Army after Makovetsky gave a performance of imaginary illness symptoms so convincing that Army medical examiners excused him from military service. Accepted to the Shchukin Theatrical School at the Vakhtangov Theatre in Moscow, Makovsky graduated in 1980 and became a member of Vakhtangov Theatre’s company. For nearly three decades Sergei Makovetsky has earned critical praise, audience loyalty, and multiple awards (including the title of People’s Artist of Russia) in a variety of stage roles highlighted by a 9 season run as the title character in Moliere’s “Amphitrion” and as Trigorin in Chekhov’s “The Seagull”. His film work includes the eponymous role in Dutch director Jos Stelling’s “Duska” and an appearance alongside Nikita Mikhalkov in Aleksei Balabanov’s 2005 violent black comedy “Blind Man’s Bluff”.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.