A work in constant progress (and occasional regress).
Alias:
Veena Cabreros Sud
Birthplace:
Toronto, Ontario, Canada
Born:
June 25, 1967
Veena Cabreros-Sud is a Canadian-born American television writer, director, and producer. Born in Toronto and of Filipino and Indian heritage, she is best known for developing the American television drama The Killing, which is based on the Danish series Forbrydelsen (The Crime). Sud received a Master of Fine Arts degree from the Film and Television program at New York University. Her credits on The Killing also include writer and executive producer. The series earned her an Emmy nomination and a Writers Guild of America award nomination. Her previous television work includes the dramatic series Cold Case, where she was a writer and executive producer. She was also an episode writer for the 2002 television series Push, Nevada. In February 2012, Paramount Pictures announced that Sud is writing a remake of Alfred Hitchcock's Suspicion. She was formerly the marketing and distribution director for Third World Newsreel, which specializes in films by and about people of color.
Director:
2000 One Night
2018 The Lie
Director of Photography:
2000 One Night
2003 The Good Son
2018 The Lie
Writer:
2000 One Night
2003 The Good Son
2018 The Lie
Creator:
2011 The Killing
2018 Seven Seconds
2020 The Stranger
Director:
2011 The Killing
2018 Seven Seconds
2020 The Stranger
Executive Producer:
2003 Cold Case
2011 The Killing
2018 Seven Seconds
2020 The Stranger
Teleplay:
2003 Cold Case
2011 The Killing
2018 Seven Seconds
2020 The Stranger
Writer:
2003 Cold Case
2011 The Killing
2018 Seven Seconds
2020 The Stranger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.