A work in constant progress (and occasional regress).
Alias:
Casey Rogers Williams
Josie Imogene Rogers
Laura Elliot
Laura Elliott
Birthplace:
Morehouse, Missouri, USA
Born:
December 15, 1925
Died:
July 6, 2006
Kasey Rogers (born Josie Imogene Rogers; December 15, 1925 – July 6, 2006) was an American actress, memoirist and writer, best known for playing the second Louise Tate in the popular U.S. television sitcom Bewitched. Rogers was born Josie Imogene Rogers. She moved with her family to California at the age of two. As a child, her prowess at the game of baseball led her friends to nickname her Casey (after the famous poem "Casey at the Bat"). While under contract to Paramount, she used the stage name Laura Elliot. In 1955, she began working with a press agent in Hollywood, Walter Winslow Lewis III (aka "Bud"). It was Bud who suggested that she use the nickname with her maiden name and changed the "C" to a "K". They later married and had four children. Rogers began work under the names Laura Elliott and Laura Elliot for Paramount Pictures. She appeared in movies such as Special Agent, Samson and Delilah, Silver City, Paid in Full, Two Lost Worlds, and, in perhaps her best-known film role, Alfred Hitchcock's Strangers on a Train, playing Miriam, the scheming, adulterous wife of Guy Haines (Farley Granger). In the mid-1950s, Rogers began working on television. She guest-starred on various series, such as Sergeant Preston, Stage 7, The Restless Gun, The Lone Ranger, Bat Masterson, Maverick, Yancy Derringer, Perry Mason, as Francie Keene in the Wanted: Dead or Alive episode "Railroaded", and many other programs. In 1964 she landed a starring role on Peyton Place, portraying the character Julie Anderson, the mother of Betty Anderson (Barbara Parkins). She left the series in 1966 to replace Irene Vernon in the role of Louise Tate on Bewitched. In 1972, she performed as Louise Tate for the final time in the episode "Serena's Youth Pill". She then retired from acting, appearing in only a few guest television spots and making appearances on the Bewitched edition of E! True Hollywood Story.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.