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Jozef Kroner (1924-1998)

Alias:
Josef Kroner
Jozef Króner
Йозеф Кронер

Birthplace:
Staškov, Czechoslovakia

Born:
March 20, 1924

Died:
March 12, 1998

Biography from TheMovieDB

Pochádza z dvanástich detí. Začínal ako robotník v Trenčíne, neskôr ako vedúci dielne v Považskej Bystrici. Popri práci sa venoval ochotníckemu divadlu. Začínal v Armádnom divadle v Martine (1948 - 1956). Od roku 1956 pôsobil v činohre SND v Bratislave až do roku 1984, keď odišiel do dôchodku. Účinkoval v mnohých televíznych filmoch a seriáloch - Kubo (1965), Živý bič (1966), Rysavá jalovica (1970), Ruže a sneh, Vôňa remesla, Slovácko sa nesúdi (1978, 1984), Sváko Ragan (1975), Nech žije deduško (1978). Je autorom kníh: Herec na udici (1970), Herec nielen na udici (1974), S kamerou a s udicou (1979),Neobyčajný testament (1982) a O rybke Beličke (1983). O jeho živote a tvorbe nakrútil režisér Fero Fenič tv. film Trate Jozefa Kronera (1987). Na základe hlasovania slovenských filmových novinárov v Ankete 2000 sa Jozef Kroner stal slovenským hercom 20. storočia. Keď bol na dôchodku, rád hubárčil. Nesmierne miloval Liptov, rád sa prechádzal na Podbánskom. Bol ubytovaný, väčšinou, u svojho veľmi dobrého priateľa Milana Lehotského v Liptovskom Hrádku na ulici Hradnej ( v tej dobe Leninova ulica ). Spolu chodili aj na dobré slovenské pivo do krčmy Svieženka ( dnes Esspresso Svieženka ). Naposledy tam bol v roku 1995.

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Additional information:

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Film Performances

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Film Production

Book:
1988  Jubileum

Screenplay:
1979  Mišo
1988  Jubileum

Writer:
1979  Mišo
1988  Jubileum

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.