A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
March 28, 1921
Died:
February 10, 2008
Kirk Browning (March 28, 1921 – February 10, 2008) was an American television director and producer who had hundreds of productions to his credit, including 185 broadcasts of Live from Lincoln Center. Born in New York City, Browning dropped out of Cornell University after attending for only one month and moved to Waco, Texas, where he was hired as a newspaper reporter. Because of a childhood injury, he was rejected by the United States Army when he tried to enlist during World War II, so he worked as an ambulance driver in England and France. In the late 1940s, he was a chicken farmer operating an egg route in Ridgefield, Connecticut when one of his customers offered him a job in the music library at NBC. The clerical position led to his directing live televised performances by the NBC Symphony Orchestra conducted by Arturo Toscanini. Soon after he was made a stage manager of the network's newly formed opera company, and he later became its Director. From Wikipedia, the free encyclopedia
Director:
1951 Amahl and the Night Visitors
1951 Toscanini: The Television Concerts, Vol. 6: Weber, Brahms
1951 Toscanini: The Television Concerts, Vol. 7: Wagner
1955 Amahl and the Night Visitors
1957 Mayerling
1958 The Christmas Tree
1960 Two by Saroyan: 'Once Around the Block' and 'My Heart's in the Highlands'
1962 The Flood
1963 Amahl and the Night Visitors
1967 Damn Yankees
1969 The Violent Universe
1974 A Touch of the Poet
1974 Enemies
1974 June Moon
1974 The Daughter of the Regiment
1975 Ceremonies in Dark Old Men
1975 The Rules of the Game
1976 Copland Conducts Copland
1976 La Traviata
1976 New York City Opera: The Barber of Seville
1976 The Taming of the Shrew
1976 The Time of Your Life
1977 La Bohème
1977 Rigoletto
1977 The Prince of Homburg
1977 The Royal Family
1978 Cavalleria Rusticana/Pagliacci
1978 Horowitz at the White House
1978 Tartuffe
1978 The Metropolitan Opera: Don Giovanni
1978 Tosca
1979 Don Pasquale
1980 Big Blonde
1980 Don Carlo
1980 Puccini: Manon Lescaut
1981 Elixir of Love
1981 Il trittico
1981 L'Elisir d'Amore
1981 Samson et Dalila
1981 Snow White Live
1982 Fifth of July
1982 Hansel & Gretel - The Met
1982 Horowitz in London
1982 Ian McKellen: Acting Shakespeare
1982 Idomeneo
1982 Puccini: La Boheme
1982 Working
1983 Alice in Wonderland
1983 Ernani
1983 Lucia di Lammermoor
1983 The Metropolitan Opera Centennial Gala
1984 La Forza del Destino
1984 You Can't Take it With You
1985 The Gospel at Colonus
1985 Tosca
1986 Candide
1986 Die Fledermaus
1986 New York City Ballet: A Midsummer Night’s Dream
1987 The House of Blue Leaves
1987 Turandot
1988 A Walk in the Woods
1988 An Evening with Joan Sutherland and Luciano Pavarotti
1989 Our Town
1990 New York City Opera: A Little Night Music
1990 William Shakespeare's Hamlet
1991 Antony & Cleopatra - Lyric Opera of Chicago
1991 The Grapes of Wrath
1992 Sondheim: A Celebration at Carnegie Hall
1996 New York City Opera: The Merry Widow
1998 A Streetcar Named Desire - The San Francisco Opera World Premiere
2000 Death of a Salesman
2006 Audra McDonald Sings the Movies for New Year's Eve
2006 The Light in the Piazza (Live from Lincoln Center)
Director:
1951 Hallmark Hall of Fame
1953 The United States Steel Hour
1954 Producers' Showcase
1958 Shirley Temple's Storybook
1959 Startime
1971 Great Performances
1982 American Playhouse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.