Michael J. Anderson (b. 1953)

Alias:
Little Mike Anderson
Michael Anderson
Michael John Anderson
Mike Anderson

Birthplace:
Denver, Colorado, USA

Born:
October 31, 1953

Michael Anderson was born in Huron, South Dakota, at 10:30 P.M., on Halloween night. Subject to a genetic anomaly known as Osteogenesis Imperfecta, he grew up in a wheelchair. After graduating high school, he traveled America, singing for tips and living in his car. For six years, he attended the University of Colorado where he majored in numerous subjects ranging from philosophy to microbiology. After college, he began working for Martin Marietta, trouble-shooting the N.A.S.A. computers in the ground-support system of the space shuttle. During this time, he made the documentary "Little Mike," which won a silver medal in the International Film and Television Awards. Soon thereafter, he moved to New York City, where his film and television career began. For many years, Anderson was most well-known among fans of director David Lynch for his work as a backwards-talking dream figure on the cult favorite T.V. series Twin Peaks (1990). Anderson also worked with Lynch for the experimental performance piece Industrial Symphony No. 1: The Dream of the Brokenhearted (1990) and the T.V.-pilot-turned-feature film Mulholland Drive (2001). Anderson gained further recognition and success in recent years for his work on the H.B.O. series Carnivàle (2003).

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.