George Gallaccio (b. 1938)

Born:
December 23, 1938

George Gallaccio (born 23 December 1938) is a British retired television producer who previously worked as a production assistant and production unit manager. His most prominent work was as the producer on two BBC detective drama series, Miss Marple (1985–1992), based on the novels by Agatha Christie, and Bergerac (1988–1991), for which he was the final producer.  Gallaccio began his career at the BBC in the early 1970s. He was the production assistant on Moonbase 3 (1973), which was created by the Doctor Who production team of Barry Letts and Terrance Dicks. He also worked as a production unit manager (PUM), a new role created at the BBC which meant that he was in charge of the budgets for a given production. In this capacity he worked on Doctor Who between 1974 and 1976, and briefly appeared on screen as one of the faces in the mind-bending sequence of The Brain of Morbius (1976), later suggested as an early incarnation of the Doctor by producer Philip Hinchcliffe. He also worked on the BBC's adaptations of David Copperfield (1974–75) and Anna Karenina (1977).  Gallaccio worked as a drama producer for the first time on the six-part serial The Legend of Robin Hood (1975) and later produced two series for BBC Scotland, the supernatural The Omega Factor (1979) and the Andrea Newman serial Mackenzie (1980). He was the BBC management's first choice to produce Doctor Who following the departure of Graham Williams in 1980, but turned it down. Between 1988 and 1991, he served as the final producer of Bergerac, the detective drama series set in Jersey. He produced several Miss Marple dramas between 1985 and 1992.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.