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Christina M. Kim

Biography from TheMovieDB

Christina M. Kim (Korean: 김수진[1]) is an American television writer. In the 2005-06 television season, she joined the writing staff of Lost for the series' second season. The staff won the Writers Guild of America (WGA) Award for Best Dramatic Series at the February 2006 ceremony for their work on the second season.  She became a story editor and co-writer for the third season in 2006. Kim and co-writer Elizabeth Sarnoff were nominated for the WGA award for Best Episodic Drama at the February 2007 ceremony for their work on the second season episode "Two for the Road". The writing staff were again nominated for the WGA Award for Best Dramatic Series at the February 2007 ceremony for their work on the second and third seasons.  She was promoted to executive story editor for the fourth season. She was again nominated for the WGA Award for Best Dramatic Series at the February 2009 ceremony for her work on the fourth season.  From 2010-12, Kim produced and wrote episodes for the CBS procedural hit NCIS Los Angeles.  In 2019, Kim's script for The CW's modern reboot of Kung Fu was ordered to pilot and picked up to series in 2020 despite production being temporarily shut down by COVID-19 pandemic. On May 3, 2021, Kung Fu was renewed by The CW for a highly anticipated second season.

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TV Production

Co-Executive Producer:
2015  Blindspot

Creator:
2015  Blindspot
2021  Kung Fu

Executive Producer:
2015  Blindspot
2021  Kung Fu

Writer:
2004  Lost
2005  Ghost Whisperer
2009  NCIS: Los Angeles
2015  Blindspot
2021  Kung Fu

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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