A work in constant progress (and occasional regress).
Alias:
Faith No More
Birthplace:
Eureka, California, USA
Born:
January 27, 1968
From Wikipedia, the free encyclopedia. Michael Allan "Mike" Patton (born January 27, 1968) is an American singer-songwriter, multi-instrumentalist, producer, and actor, best known as the lead singer of the rock band Faith No More. He has also sung for Mr. Bungle, Tomahawk, Lovage, Fantômas, The Dillinger Escape Plan and Peeping Tom. Known for his eclectic influences and experimental projects, Patton has earned critical praise for his vocals; which touch on crooning, falsetto, opera, death growls, rapping, screaming, mouth music, beatboxing, and scatting, among other techniques. Critic Greg Prato writes, "Patton could very well be one of the most versatile and talented singers in rock music." While commenting on Patton's extended and diverse music groups, Allmusic called him "a complete and utter musical visionary and a mind-blowing and standard-warping genius." He has many producer or co-producer credits with artists such as John Zorn, Sepultura, Melvins, Melt-Banana and Kool Keith. He co-founded Ipecac Recordings with Greg Werckman in 1999, and has run the label since. Description above from the Wikipedia article Mike Patton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1991 Video Macumba
Editorial Consultant:
1991 Video Macumba
2005 Firecracker
Original Music Composer:
1991 Video Macumba
2005 Firecracker
2008 A Perfect Place
2009 Crank: High Voltage
2010 The Solitude of Prime Numbers
2013 The Place Beyond the Pines
2017 1922
Producer:
1991 Video Macumba
2005 Firecracker
2007 Kaada/Patton Live
2008 A Perfect Place
2009 Crank: High Voltage
2010 The Solitude of Prime Numbers
2013 The Place Beyond the Pines
2017 1922
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.