A work in constant progress (and occasional regress).
Birthplace:
Cannes, Alpes-Maritimes, France
Born:
January 17, 1987
Mathieu Turi is a French director and screenwriter of series B, born on January 17, 1987 in Cannes in Provence-Alpes-Côte d'Azur. In 2005, he entered the Graduate School of Audiovisual Production to study cinematographic production. After studies and award-winning short films such as Sons of Chaos and Broken, Mathieu Turi became assistant director to Quentin Tarantino for his film Inglourious Basterds (2009) and, among others, Guy Ritchie for Sherlock Holmes: A Game of Shadows ( 2011) or Luc Besson for Lucy (2014). Under the productive eye of Xavier Gens who 'found, in the script, a deeply human story, a new look at the genre and a creature never before seen in cinema', he wrote and shot his first horror feature film in 2016. Hostile post-apocalyptic in English language. He then shot Méandre, a horror B series with Gaia Weiss. His feature film, Gueules Noires, brings together Samuel Le Bihan, Amir El Kacem and Thomas Solivérès.
Assistant Director:
2022 The King's Daughter
Director:
2010 Sons of Chaos
2012 Broken
2018 Hostile
2021 Meander
2022 The King's Daughter
2023 The Deep Dark
???? Watch Dogs
Executive Producer:
2010 Sons of Chaos
2012 Broken
2018 Hostile
2021 Meander
2022 The King's Daughter
2023 The Deep Dark
???? Watch Dogs
Producer:
2010 Sons of Chaos
2012 Broken
2018 Hostile
2021 Meander
2022 The King's Daughter
2023 The Deep Dark
???? Watch Dogs
Screenplay:
2010 Sons of Chaos
2012 Broken
2018 Hostile
2021 Meander
2022 The King's Daughter
2023 The Deep Dark
???? Watch Dogs
Writer:
2010 Sons of Chaos
2012 Broken
2018 Hostile
2021 Meander
2022 The King's Daughter
2023 The Deep Dark
???? Watch Dogs
Director:
???? A Plague Tale
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.