A work in constant progress (and occasional regress).
Jack Bond (born 1937) is a British film producer and director. He is best known for his work for The South Bank Show and his creative partnership with the British writer, actor and director Jane Arden (1927–1982) between 1965 and 1979. In 1965, Bond made a documentary film with Salvador Dalí, Dali in New York. Dalí had been based in New York city, particularly the St Regis Hotel, with his wife Gala since the 1930s. The film revolves around an ongoing interview of Dali by Arden about his creative process. This all takes place against the backdrop of social life and work including putting together two exhibitions of his work and a book, as well as various performance art displays including a final scene where Dali paints alongside a flamenco duo (singer José Reyes and guitarist Manitas de Plata). Commenting on the subject of his film, Bond observed "Dalí always knew exactly what he wanted and he got it. The doormen had to pay Dalí’s taxi fare. He was ‘grand’ in the real meaning of the word. He fitted New York like a glove, it was made for him, and The St. Regis was, and still is, the best hotel in the whole city. He was even able to paint there – he kept a special room as his studio." Working with Arden, Bond directed the award winning Separation (1967), produced The Other Side of the Underneath (1972) and co-directed Anti-Clock (1979). These three films were reissued by the British Film Institute on Blu-ray and DVD on 13 July 2009. Interviewed in 2013, Bond recalled how, as a result of the refusal of the UK film industry to screen Anti-Clock, he instead took the film to America. At a New York screening, one influential critic, although refusing to talk to Bond both before and after the screening, nonetheless gave the film a five star review. As a direct result of this review, the film was a hit in the USA and Bond received approaches for distribution for the film from UK distributors who had previously turned the film down, offers which were vehemently rejected by Bond. In 1988, Bond directed the feature-length film It Couldn't Happen Here featuring Pet Shop Boys, as well as the music video for their single "Heart". Even before the film received a title, it was devised as a compilation of interrelated music videos that together would form one ongoing plot, in a manner comparable to The Line, the Cross and the Curve. However, once Bond was appointed as producer and co-writer as well as director, the project expanded into a full fledged feature film. Since Arden's death, Bond had primarily worked as a director of TV documentaries, primarily on The South Bank Show during which time he covered such topics as Roald Dahl and Catherine Cookson. In this context, It Couldn't Happen Here marked a return to drama film making for Bond.
Cinematography:
1975 Vibration
Director:
1965 Dali In New York
1968 Separation
1975 Vibration
1979 Anti-Clock
1982 The South Bank Show: Werner Herzog
1988 It Couldn't Happen Here
2013 Adam Ant: The Blueblack Hussar
2018 An Artist's Eyes
Director of Photography:
1965 Dali In New York
1968 Separation
1972 The Other Side of the Underneath
1975 Vibration
1979 Anti-Clock
1982 The South Bank Show: Werner Herzog
1988 It Couldn't Happen Here
2013 Adam Ant: The Blueblack Hussar
2018 An Artist's Eyes
Editor:
1965 Dali In New York
1968 Separation
1972 The Other Side of the Underneath
1975 Vibration
1979 Anti-Clock
1982 The South Bank Show: Werner Herzog
1988 It Couldn't Happen Here
2013 Adam Ant: The Blueblack Hussar
2018 An Artist's Eyes
Producer:
1965 Dali In New York
1968 Separation
1972 The Other Side of the Underneath
1975 Vibration
1979 Anti-Clock
1982 The South Bank Show: Werner Herzog
1988 It Couldn't Happen Here
2013 Adam Ant: The Blueblack Hussar
2018 An Artist's Eyes
Writer:
1965 Dali In New York
1968 Separation
1972 The Other Side of the Underneath
1975 Vibration
1979 Anti-Clock
1982 The South Bank Show: Werner Herzog
1988 It Couldn't Happen Here
2013 Adam Ant: The Blueblack Hussar
2018 An Artist's Eyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.