John Hopkins (b. 1975)

Birthplace:
Luton, England, UK

Born:
January 1, 1975

John Hopkins was born in Luton and majored in English at the University of Leeds from 1993 to 1996. As an undergrad, he joined the university's drama group and appeared in several plays, ultimately winning the "Sunday Times" student-actor award for his performance in "A Short Play About Sex and Death." With his thespian credentials thus bolstered, John was admitted to the London Royal Academy of Dramatic Arts, from which he graduated in 2000. Almost immediately, he was recruited by the prestigious Royal Shakespeare Company, with which he performed his first repertory season, from 2001 to 2002. Around this time, his looks encouraged television offers and, after minor roles in "Love in a Cold Climate" and "Trial and Retribution 7," he was offered and accepted the role for which he is best known to non-theater goers, as Sergeant Scott in the increasingly labored but popular British whodunit television series Midsomer Murders (1997). Give him his due: he left the show after the 2004-2005 season and was back with the Royal Shakespeare Company for its 2006-2007 season in both London and Stratford-upon-Avon, playing Caesar opposite Patrick Stewart in 'Antony and Cleopatra'. More recently his stage roles have included Richard Hannay in Patrick Barlow's comedic four handed version of 'The 39 Steps', Richard I in the new play 'Holy Warriors' at Shakespeare's Globe, and Benedick in 'Much Ado About Nothing', a performance which The Guardian said "confirms Hopkins as one of our best Shakespearean actors". Back on television he was a villain in 'Stan Lee's Lucky Man', and played Sir Francis Basset for two series of the BBC drama 'Poldark'. In a 2020 article in The Times (London), he was named one of '10 of the best British actors on stage now'.

Additional information:

The Search Form


Assistant Director:
1980  Teen Tips

Writer:
1980  Teen Tips
2020  Four

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.