Dennis Smith

Alias:
Dennis L. Smith

From Wikipedia, the free encyclopedia.  Dennis L. Smith is American television cinematographer, director and former camera operator. As a camera operator he worked on such films as Stir Crazy (1980), Revenge of the Nerds (1984), License to Drive (1988) and Home Alone (1990). He continued his career as a cinematographer/director of photography on the David E. Kelley series Picket Fences (in which he made is directorial debut) and The Practice.  Some of Smith's other directing credits include episodes of: Boston Legal, JAG, Numb3rs, The Vampire Diaries, Fringe, NCIS and NCIS: Los Angeles.

Additional information:

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"B" Camera Operator:
1992  Diggstown

Camera Operator:
1980  Stir Crazy
1981  Nice Dreams
1983  Deadly Force
1984  Revenge of the Nerds
1986  The Check is in the Mail...
1989  Tango & Cash
1990  Home Alone
1992  Diggstown
1992  Home Alone 2: Lost in New York

Director of Photography:
1980  Stir Crazy
1981  Nice Dreams
1983  Deadly Force
1984  Revenge of the Nerds
1986  The Check is in the Mail...
1989  Tango & Cash
1990  Home Alone
1992  Diggstown
1992  Home Alone 2: Lost in New York
1996  God's Lonely Man
1996  Holiday Affair

Director:
1995  JAG
1997  The Practice
2003  NCIS
2004  Boston Legal
2004  Dr. Vegas
2005  Numb3rs
2007  Moonlight
2008  90210
2008  Fringe
2009  NCIS: Los Angeles
2009  Royal Pains
2011  Person of Interest
2016  Bull
2018  Station 19

Director of Photography:
1995  JAG
1997  The Practice
2003  NCIS
2004  Boston Legal
2004  Dr. Vegas
2005  Numb3rs
2007  Moonlight
2008  90210
2008  Fringe
2009  NCIS: Los Angeles
2009  Royal Pains
2011  Person of Interest
2016  Bull
2018  Station 19

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.