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Martha Mitchell

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Biography from TheMovieDB

Martha Mitchell is an American television director.  She has directed for a number of notable television series. Prior to directing, Mitchell worked as a script supervisor on numerous films, the pilot episode of New York Undercover and episodes of Law & Order from 1990 to 1996.

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Additional information:

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Film Performances

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Film Production

Casting:
1982  Waitress!

Script Supervisor:
1982  Waitress!
1983  Sleepaway Camp
1984  Old Enough
1986  The Princess and the Call Girl
1987  Morgan Stewart's Coming Home

Second Assistant Director:
1981  Madman
1982  Waitress!
1983  Sleepaway Camp
1984  Old Enough
1986  The Princess and the Call Girl
1987  Morgan Stewart's Coming Home

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TV Production

Director:
1990  Law & Order
1994  Chicago Hope
1994  New York Undercover
1994  Touched by an Angel
1995  Live Shot
1995  Strange Luck
1996  Dark Skies
1996  Promised Land
1997  Leaving L.A.
1997  Spy Game
1997  The Practice
1997  Timecop
1998  Charmed
1998  Prey
1999  Family Law
1999  Judging Amy
1999  Law & Order: Special Victims Unit
2000  Strong Medicine
2001  The Division
2001  The Education of Max Bickford
2001  The Guardian
2002  Haunted
2002  Without a Trace
2003  Joan of Arcadia
2003  NCIS
2004  Clubhouse
2004  House
2004  Veronica Mars
2005  Close to Home
2005  Numb3rs
2006  Jericho
2008  Raising the Bar
2008  The Mentalist
2009  Mercy
2009  White Collar
2010  Blue Bloods
2011  The Protector
2012  NYC 22
2014  Madam Secretary
2015  Blindspot
2015  Chicago Med
2016  Bull
2018  You
2019  The Enemy Within

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.