A work in constant progress (and occasional regress).
Birthplace:
Fort Qu'Appelle, Saskatchewan, Canada
Born:
March 5, 1937
Died:
December 28, 2020
Wilma Pelly (March 5, 1937 – December 28, 2020) was an indigenous Canadian film and television actress, best known for her roles as Elsie Tsa'Che in the CBC Television drama North of 60 and as Kookum in Mixed Blessings. Born Wilma Episkenew, she was a member of the Muscowpetung Saulteaux First Nation. She met her husband James Edward Pelly in the 1950s, and moved with him to Calgary, Alberta. Pelly worked in factories until launching her acting career. While recovering from a workplace injury in the late 1980s, she answered a casting call for film extras. Her breakthrough role in North of 60, beginning in 1992 and extending throughout the series and into several followup television films, made her an iconic figure in Canadian indigenous communities; her character Elsie, although not always talkative, was wise, dignified and funny, and Pelly was widely recognized as a scene-stealing performer. She was recognized by the Alberta Media Production Industries Association's Rosie Awards as Best Actress in 1998. Following the conclusion of the regular weekly North of 60 series, Pelly was cast in Giovanni Veronesi's film Gunslinger's Revenge, the production of which marked her first time ever travelling outside of North America. She subsequently appeared in other film and television productions, usually playing an indigenous grandmother or community elder. She also had selected stage roles, most notably appearing in a 2005 production of Uncle Vanya which was staged at the Citadel Theatre in Edmonton before travelling to Ottawa for a production at the National Arts Centre. She died on December 28, 2020, in Calgary. Her final film performance, in Rueben Martell's film Don't Say Its Name, was in post-production and had not yet been released at the time of her death
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.