A work in constant progress (and occasional regress).
Mike Olenick makes perverse genre films focused on photography, forbidden desire, reproduction, transformation, memories, and outer space. His films have screened at Fantastic Fest and Fantasia, streamed on MUBI, played on Dutch television, and have won awards at the Slamdance Film Festival, Chicago Underground Film Festival, Ann Arbor Film Festival, Cinematexas, Big Muddy Film Festival, and Nightmares Film Festival, among others. In 2016 he was one of the inaugural fellows at Shudder Labs, where he developed a script for a sci-fi / horror feature. Mike has worked as an editor of projects for Guy Maddin (including The Forbidden Room and Keyhole), Michael Robinson, Kelly Reichardt, the Quay Brothers, Lucy Raven, and Sadie Benning. Since 2003 he has edited numerous works for Jennifer Reeder, including A Million Miles Away, Blood Below the Skin, and Knives and Skin. Works he's edited are in the collections of MoMA and the Tate. Mike received his MFA from the Cranbrook Academy of Art with an emphasis in Photography and a BFA in Media Studies from the Columbus College of Art & Design. He was a fashion “do” in Vice Magazine and his love of cats has been documented on Buzzfeed. When he is not putting together a jigsaw puzzle or drawing cats he is working on the script for a sci-fi / soap opera / thriller.
Director:
2013 All the Memory in the World
2014 Red Luck
2017 The Cure
Director of Photography:
2010 Seven Songs About Thunder
2011 Tears Cannot Restore Her: Therefore, I Weep
2013 All the Memory in the World
2013 Girls Love Horses
2014 A Million Miles Away
2014 Red Luck
2017 The Cure
Editor:
2004 The Closer Stockholm
2004 Travis
2005 Uyuni
2010 Seven Songs About Thunder
2011 Tears Cannot Restore Her: Therefore, I Weep
2012 And I Will Rise, If Only To Hold You Down
2013 All the Memory in the World
2013 Girls Love Horses
2014 A Million Miles Away
2014 Red Luck
2015 Blood Below the Skin
2016 Crystal Lake
2016 Marietta Brimble
2017 All Small Bodies
2017 Lola, 15
2017 Shuvit
2017 The Cure
2018 I Dream You Dream of Me
2019 Knives and Skin
2021 They/Them/Us
Online Editor:
2004 The Closer Stockholm
2004 Travis
2005 Uyuni
2010 Seven Songs About Thunder
2011 Tears Cannot Restore Her: Therefore, I Weep
2012 And I Will Rise, If Only To Hold You Down
2013 All the Memory in the World
2013 Girls Love Horses
2013 Unmistaken Hands: Ex Voto F.H.
2014 A Million Miles Away
2014 Red Luck
2015 Blood Below the Skin
2016 Crystal Lake
2016 Marietta Brimble
2017 All Small Bodies
2017 Lola, 15
2017 Shuvit
2017 The Cure
2018 I Dream You Dream of Me
2019 Knives and Skin
2021 They/Them/Us
Producer:
2004 The Closer Stockholm
2004 Travis
2005 Uyuni
2010 Seven Songs About Thunder
2011 Tears Cannot Restore Her: Therefore, I Weep
2012 And I Will Rise, If Only To Hold You Down
2013 All the Memory in the World
2013 Girls Love Horses
2013 Unmistaken Hands: Ex Voto F.H.
2014 A Million Miles Away
2014 Red Luck
2015 Blood Below the Skin
2016 Crystal Lake
2016 Marietta Brimble
2017 All Small Bodies
2017 Lola, 15
2017 Shuvit
2017 The Cure
2018 I Dream You Dream of Me
2019 Knives and Skin
2021 They/Them/Us
Writer:
2004 The Closer Stockholm
2004 Travis
2005 Uyuni
2010 Seven Songs About Thunder
2011 Tears Cannot Restore Her: Therefore, I Weep
2012 And I Will Rise, If Only To Hold You Down
2013 All the Memory in the World
2013 Girls Love Horses
2013 Unmistaken Hands: Ex Voto F.H.
2014 A Million Miles Away
2014 Red Luck
2015 Blood Below the Skin
2016 Crystal Lake
2016 Marietta Brimble
2017 All Small Bodies
2017 Lola, 15
2017 Shuvit
2017 The Cure
2018 I Dream You Dream of Me
2019 Knives and Skin
2021 They/Them/Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.