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Jeff Hull

Birthplace:
Oakland, California, U.S.

Biography from TheMovieDB

Jeff Hull is an artist and producer from Oakland, CA, who began his career as a child performer at Children's Fairyland storybook theme park. The films and television shows he's been involved with were inspired by real-world immersive artworks, such as the Jejune Institute and Latitude Society. He is known as a writer and producer on Dispatches from Elsewhere (TV Series) and In Bright Axiom (Documentary) and appeared as himself in The Institute (Documentary). In response to the pandemic, he wrote, directed, and produced the podcast series SYGNYL: A General Mystifcation Vol. 1. He was executive producer on Guerrilla News Network's political documentaries American Blackout and Battleground. He is also the creator of the street art campaign come apparel brand, Oaklandish.

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Additional information:

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Film Performances

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Film Production

Executive Producer:
2004  BattleGround: 21 Days on the Empire's Edge
2024  Sasquatch Sunset

Producer:
2004  BattleGround: 21 Days on the Empire's Edge
2006  American Blackout
2019  In Bright Axiom
2024  Sasquatch Sunset

Writer:
2004  BattleGround: 21 Days on the Empire's Edge
2006  American Blackout
2013  The Institute
2019  In Bright Axiom
2024  Sasquatch Sunset

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TV Production

Original Film Writer:
2020  Dispatches from Elsewhere

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.