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U-Wei Haji Saari (b. 1954)

Alias:
U-Wei

Birthplace:
Pahang, Malaysia

Born:
May 13, 1954

Biography from TheMovieDB

Zuhir bin Hj Saari or also known as U-Wei Haji Saari is a Malaysian film director. He first gained the international attention with his film The Arsonist (more known by its Malay name Kaki Bakar), the first Malaysian film to enter the Cannes Film Festival in 1995.  He began his career as a director for television dramas until 1996, when he made his film debut with the highly controversial Perempuan, Isteri dan..., which won him the Best Director award at the 11th Malaysia Film Festival.  U-Wei produced a period film titled Hanyut(2014), as a co-production between countries Indonesia, Malaysia, and Australia. The film is based on Joseph Conrad's novel titled Almayer's Folly, which tells about Almayer, a Dutch trader struggling to survive in Malaya with a Malay community at the turn of 19th century.  In2022, he was elected to be the chief jury for the Moscow International Film Festival for the documenatry film category.

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Additional information:

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Film Production

Director:
1993  Perempuan, Isteri & .....?
1994  Black Widow Wajah Ayu
1999  Jogho
2001  The Arsonist
2004  Buai Laju-Laju
2006  My Beautiful Rambutan Tree in Tanjung Rambutan
2016  Mountain of Gold

Writer:
1993  Perempuan, Isteri & .....?
1994  Black Widow Wajah Ayu
1999  Jogho
2001  The Arsonist
2004  Buai Laju-Laju
2006  My Beautiful Rambutan Tree in Tanjung Rambutan
2016  Mountain of Gold

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TV Production

Executive Producer:
2014  Saloma

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.