Marwan Hamed (b. 1977)

Birthplace:
Cairo, Egypt

Born:
May 29, 1977

Hamed possesses an extensively auspicious repertoire that extends over 20 years of experience in producing as well as directing films, in addition to directing over 300 commercials, TV drama series and music videos.  Graduated from the High Institute of Cinema in 1999, Marwan Hamed started his cinematic career in 2000 as a Director Assistant in Souq Al Motaa film. While studying, he directed two short films and several documentaries, but what stood out from the crowd was his 40-minute Lilly, starring Amr Waked as a promising talent. Based on a short story by renowned Writer Yousef Idrees, the film was a great success, garnering various international awards including Prix du Public at Clermont Ferrand Film Festival, the Golden award at the Carthage Film Festival and Silver prize at Milano Film Festival for African Cinema.  Marawan’s first feature The Yacoubian Building was the gateway to his success and was considered a big hit in 2005. Considered the largest budget set to produce an Egyptian film to date, boasting an all-star Egyptian cast including the Arab megastar Adel Imam and Yousra, the film was distributed in 12 countries across Europe, South America and the Arab world. The film dominated the Egyptian box office for the entire summer season and received around 200,000 admissions in France. The film was screened in a number of eminently distinguished film festivals including Berlin Film Festival in the Panorama section, the AFI Film Festival in USA, the Cannes Film Festival, the London Film Festival in London, the Chicago International Film Festival in USA, the Marrakech International Film Festival in Morocco, and the Thessaloniki International Film Festival in Greece. The Yacoubian Builiding won numerous awards including the Best New Narrative Filmmaker award at Tribeca Film Festival in 2006, the Golden Eye award at the Zurich Film Festival, Bronze award at the Montreal Film Festival and Grand Prix at Festival du Monde Arab France.  Inspired by true events, Hamed’s second feature film was Ibrahim Labyad, which featured an array of Egypt's megastars including legendary actor Mahmoud Abdel Aziz, Ahmed El Sakka, Hend Sabry, and Amr Waked. The film grabbed the Egyptian audiences’ attention with its realistic portrayal of life in the slums and its abundance of violent details. The film was screened in Le Marche du Film at the Cannes Film Festival, Montreal Film Festival and Sao Paolo International Film Festival.  Marwan also directed the short film 19/19, part of the movie 18 Days, a collection of 10 short films about the January 25th revolution in Egypt, directed by 10 Egyptian directors. The film premiered at Cannes Film Festival in 2011 in the official selection for special screenings. In 2014, Marwan directed El Feel El Azrak (The Blue Elephant), which is adapted from Egyptian writer Ahmed Mourad’s Egyptian best seller novel in 2012 of the same name that was listed on the Man Booker Prize 2012 shortlist. Starring Karim Abdel Aziz, Khaled El Sawy and Nelly Karim, the film is a psychological mystery that delves deep into the world of the paranormal. The Blue Elephant was distributed in Jordan as well as the GCC states and reaped 30,000,000 EGP in 45 days.

Additional information:

The Search Form


Director:
2007  Critical Moments

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.