Vladimir Strizhevsky (1892-1970)

Alias:
V. de Stry
Vlad Strevy
Vladimir Radchenko
Vladimir Strizhevskiy
Wladimir Strijewski
Влад Стреви
Владимир Радченко
Владимир Стрижевский

Birthplace:
Ekaterinoslav, Ekaterinoslav province, Russian Empire

Born:
January 1, 1892

Died:
January 1, 1970

Russian and French actor, director. He made his film debut in 1914 in the four-episode criminal drama Sashka the Seminarist (Russian Rocambole), which was released in cinemas in January 1915. In 1916-1917, he starred in many films by Yevgeny Bauer, including "Retribution" (1916), "Nabat" (1917), "Revolutionary" (1917). In 1917, in the joint-stock company A. Khanzhonkov, he directed the film "Black Love" as a director. In 1919, he starred in the anti-Bolshevik propaganda campaign "Life - to the Motherland, honor - to no one." In 1920 he emigrated to France. Under the name V. de Stry, he starred in the films The Meaning of Death (Le sens de la mort, 1922) by Yakov Protazanov and Golgotha of Love (Calvaire d`amour, 1923) by Viktor Turzhansky. From 1923 he worked in Germany. He directed the films The Abyss of the Big City (Tiefen der Großstadt, 1924), Taras Bulba (1924), The Tsar’s Adjutant (Adjutant des Zaren, 1928) with Ivan Mozzhukhin, The Amusements of the Empress (Spielereien einer Kaiserin, 1929) with Lil Dagover as Catherine I and "Troika" (Troika, 1930). In 1931-1938 he worked in France, made films "Sergeant X" (Le Sergent X, 1931), "Barge Haulers on the Volga" (Les Bateliers de la Volga, 1936), "Princely Nights" (Nuits de princes, 1938). In 1935, he wrote the screenplay for the French film adaptation of Crime et châtiment. In 1945 he directed the film Flesh and Soul (La Carne e l'anima) in Italy, directed by his friend Boris Konstantinovich Bilinsky. In 1945 he left for the USA. Lived there under the name Vlad Strevy.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.