Morgan Conway (1903-1981)

Alias:
Sydney Albert Conway

Birthplace:
Newark, New Jersey, USA

Born:
March 16, 1903

Died:
November 16, 1981

From Wikipedia, the free encyclopedia  Morgan Conway (March 16, 1903 in Newark, New Jersey – November 16, 1981 in Livingston, New Jersey) was an American actor, best known for his portrayals of Dick Tracy.  Born Sydney Conway, he was educated at Columbia University in New York City. He arrived in Hollywood just in time to get on the ground floor of the industry's burgeoning labor movement. Conway was one of the founding members of the Screen Actors Guild. His first film appearance was in the 1934 film Looking for Trouble.  For many years he freelanced, working for various studios in bits or supporting roles. His most familiar appearance from this period is probably in Charlie Chan in Reno (1939).  By the mid-1940s he was a contract player for RKO Radio Pictures, and he was chosen to portray Chester Gould's comic-strip detective Dick Tracy in a pair of feature films: Dick Tracy and Dick Tracy vs. Cueball. RKO's earliest publicity photos posed Conway in profile, hoping to emulate Gould's square-jawed caricatures. Although this screen Tracy didn't resemble the print Tracy physically, Conway's dramatic interpretation was faithful; he gave the role an understated, businesslike quality totally in keeping with a police procedural. Morgan Conway is considered by many (including Dick Tracy writer Max Allan Collins) to be the best screen Dick Tracy.  Morgan/Sydney Conway left the motion picture industry and returned to New Jersey, where he died of lung cancer at the age of 78.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.