A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
June 4, 1971
Edson Oda is a Japanese Brazilian writer-director based in Los Angeles. He graduated from the University of São Paulo with a bachelor's degree in advertising and completed his Master of Fine Arts in film and production at the University of Southern California. Before making his feature debut, Nine Days, Oda wrote, directed, and supervised projects for Philips, Telefonica, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda, and Nokia. He is a Sundance Institute Screenwriters Lab alumnus and was nominated for a Latin GRAMMY Award for best music video in 2012.
Animation:
2013 Malaria
Director:
2009 The Birth
2012 The Writer
2013 Malaria
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Editor:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Executive Producer:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Producer:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Screenplay:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Script Supervisor:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Writer:
2009 The Birth
2012 The Writer
2013 Malaria
2014 Tomorrow
2015 The Man of Death
2017 A Sensorial Ride
2021 Nine Days
???? Statue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.