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Jonah Kaplan

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Film Production

Director:
2002  Stalker Guilt Syndrome

Editor:
2001  How Harry Met Sally…
2002  A Shot at the Top: The Making of 'The King of Comedy'
2002  Revisiting 'The Last Waltz'
2002  Stalker Guilt Syndrome
2004  Alice Doesn't Live Here Anymore: Second Chances
2004  Filming for Your Life: Making After Hours
2004  Filming for Your Life: Making ‘After Hours’
2004  Fort Doom
2004  From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'
2004  Getting Made: The Making of 'GoodFellas'
2006  Discovering William Greaves
2006  Path of Darkness: Making 'Silent Hill'
2006  Seven Samurai: Origins and Influences
????  Miles Goes Modal

Music Editor:
2001  How Harry Met Sally…
2002  A Shot at the Top: The Making of 'The King of Comedy'
2002  Revisiting 'The Last Waltz'
2002  Stalker Guilt Syndrome
2004  Alice Doesn't Live Here Anymore: Second Chances
2004  Filming for Your Life: Making After Hours
2004  Filming for Your Life: Making ‘After Hours’
2004  Fort Doom
2004  From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'
2004  Getting Made: The Making of 'GoodFellas'
2006  Discovering William Greaves
2006  Path of Darkness: Making 'Silent Hill'
2006  Seven Samurai: Origins and Influences
2014  Zombeavers
????  Miles Goes Modal

Producer:
2001  How Harry Met Sally…
2002  A Shot at the Top: The Making of 'The King of Comedy'
2002  Revisiting 'The Last Waltz'
2002  Stalker Guilt Syndrome
2004  Alice Doesn't Live Here Anymore: Second Chances
2004  Filming for Your Life: Making After Hours
2004  Filming for Your Life: Making ‘After Hours’
2004  Fort Doom
2004  From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'
2004  Getting Made: The Making of 'GoodFellas'
2006  Discovering William Greaves
2006  Path of Darkness: Making 'Silent Hill'
2006  Seven Samurai: Origins and Influences
2014  Zombeavers
????  Miles Goes Modal

Production Manager:
1997  Airboss
2001  How Harry Met Sally…
2002  A Shot at the Top: The Making of 'The King of Comedy'
2002  Revisiting 'The Last Waltz'
2002  Stalker Guilt Syndrome
2004  Alice Doesn't Live Here Anymore: Second Chances
2004  Filming for Your Life: Making After Hours
2004  Filming for Your Life: Making ‘After Hours’
2004  Fort Doom
2004  From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'
2004  Getting Made: The Making of 'GoodFellas'
2006  Discovering William Greaves
2006  Path of Darkness: Making 'Silent Hill'
2006  Seven Samurai: Origins and Influences
2014  Zombeavers
????  Miles Goes Modal

Writer:
1997  Airboss
2001  How Harry Met Sally…
2001  Satan’s Top Forty
2002  A Shot at the Top: The Making of 'The King of Comedy'
2002  Revisiting 'The Last Waltz'
2002  Stalker Guilt Syndrome
2004  Alice Doesn't Live Here Anymore: Second Chances
2004  Filming for Your Life: Making After Hours
2004  Filming for Your Life: Making ‘After Hours’
2004  Fort Doom
2004  From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'
2004  Getting Made: The Making of 'GoodFellas'
2006  Discovering William Greaves
2006  Path of Darkness: Making 'Silent Hill'
2006  Seven Samurai: Origins and Influences
2008  The VICE Guide to North Korea
2014  Zombeavers
????  Miles Goes Modal

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.