A work in constant progress (and occasional regress).
Director:
1980 Sincerely
1981 Prelude
1982 Across The Street
1984 Fields Of Grain
1987 Sharon and the Birds on the Way to the Wedding
1990 Fish and Liposuction
2002 Study in Choreography for Camera Remote
2003 Golden Gate Bridge Exposure: Poised for Parabolas
2003 Time-Dilation Series
2004 Black Belt Test Exposure: Senpai James Finds His Line
2004 Chapel of the Bells Wedding Chapel Exposure: To Have and To Hold
2004 Huntington Gardens, Giant Stipa Exposure: Californian Native
2004 Jacaranda Tree, Chalon Road Exposure: Brazilian Transplant
2004 Mount St. Mary's Chapel Exposure: Galician Import
2004 Pyramid Lake Piaute Reservation Exposure: As Long as the Rivers Flow
2004 Refracted Case Histories
2004 St. Ignatius Church Exposure: Lenten Light Conversions
2004 holes where eyes did once inhabit
2005 Karate Class Exposure: Three Variations
2006 Lebanon: Salvaged from the Open Sea
2006 Requiescat
2006 Russian Arc: Across Cinematic Time
2006 Tangent 1926: October
2006 Tangent 2002: Sokurov
2006 Tangent 2006: Jordan Staircase Exposure
2007 In a Disturbed Landscape
2007 Latent Light Excavations
2017 to hold to miss to remember
2020 One
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.