Scott Stark

Gallery Unavailable

Birthplace:
Milwaukee, WI

Scott Stark has produced more than 75 films and videos since 1980. Additionally, he has created a number of gallery and non-gallery installations using film and video, and elaborate photographic collages using large grids of images. Born and educated in the midwest, he has always been interested in aggressively pushing his work beyond the threshold of traditional viewing expectations, challenging the audience to question its relationship to the cinematic process; yet he also tries to build into the work elements of humor and incongruity that allow the viewer an entryway into the work while maintaining a critical distance. Both a passionate purist and a cynical skeptic, he likes to emphasize the physicality of film while cross-referencing it to the world outside the theater, attempting to lay bare the paradoxes of modern culture and the magical nature of the perceptual experience.

Additional information:

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Director:
1982  Degrees of Limitation
1982  Hotel Cartograph
1985  Probability
1986  Low Resolution TV
1987  Chromesthetic Response
1987  Crazy
1988  Corners
1988  Satrapy
1988  The sound of his face
1988  W
1990  Protective Coloration
1991  Cat Dance
1993  Acceleration
1993  Unauthorized Access
1994  I’ll Walk with God
1997  Back in the Saddle Again
1998  NOEMA
1999  in.side.out
2001  Angel Beach
2001  More Than Meets the Eye: Remaking Jane Fonda
2003  To Love or To Die
2004  Shape Shift
2005  Driven
2006  All About the Illusion
2008  Right
2008  Speechless
2010  Compressive/Percussive
2010  Longhorn Tremolo
2012  BLOOM
2012  One Way to Find Out
2012  Tenpin Arpeggio
2012  Traces
2013  The Realist
2015  Is it true what they say
2015  Traces/Legacy
2022  Damnation
2022  Music in the Air
2022  Night Out of Song
2022  Underlying Persistent Volumes
2022  Underlying Persistent Volumes, Part 2
2024  The Last Forever
????  Love and the Epiphanists: Chapter One

Director of Photography:
1982  Degrees of Limitation
1982  Hotel Cartograph
1985  Probability
1986  Low Resolution TV
1987  Chromesthetic Response
1987  Crazy
1988  Corners
1988  Satrapy
1988  The sound of his face
1988  W
1990  Protective Coloration
1991  Cat Dance
1993  Acceleration
1993  Unauthorized Access
1994  I’ll Walk with God
1997  Back in the Saddle Again
1998  NOEMA
1999  in.side.out
2001  Angel Beach
2001  More Than Meets the Eye: Remaking Jane Fonda
2003  To Love or To Die
2004  Shape Shift
2005  Driven
2006  All About the Illusion
2008  Right
2008  Speechless
2010  Compressive/Percussive
2010  Longhorn Tremolo
2012  BLOOM
2012  One Way to Find Out
2012  Tenpin Arpeggio
2012  Traces
2013  The Realist
2015  Is it true what they say
2015  Traces/Legacy
2022  Damnation
2022  Music in the Air
2022  Night Out of Song
2022  Underlying Persistent Volumes
2022  Underlying Persistent Volumes, Part 2
2024  The Last Forever
????  Love and the Epiphanists: Chapter One

Editor:
1982  Degrees of Limitation
1982  Hotel Cartograph
1985  Probability
1986  Low Resolution TV
1987  Chromesthetic Response
1987  Crazy
1988  Corners
1988  Satrapy
1988  The sound of his face
1988  W
1990  Protective Coloration
1991  Cat Dance
1993  Acceleration
1993  Unauthorized Access
1994  I’ll Walk with God
1997  Back in the Saddle Again
1998  NOEMA
1999  in.side.out
2001  Angel Beach
2001  More Than Meets the Eye: Remaking Jane Fonda
2003  To Love or To Die
2004  Shape Shift
2005  Driven
2006  All About the Illusion
2008  Right
2008  Speechless
2010  Compressive/Percussive
2010  Longhorn Tremolo
2012  BLOOM
2012  One Way to Find Out
2012  Tenpin Arpeggio
2012  Traces
2013  The Realist
2015  Is it true what they say
2015  Traces/Legacy
2022  Damnation
2022  Music in the Air
2022  Night Out of Song
2022  Underlying Persistent Volumes
2022  Underlying Persistent Volumes, Part 2
2024  The Last Forever
????  Love and the Epiphanists: Chapter One

Music:
1982  Degrees of Limitation
1982  Hotel Cartograph
1985  Probability
1986  Low Resolution TV
1987  Chromesthetic Response
1987  Crazy
1988  Corners
1988  Satrapy
1988  The sound of his face
1988  W
1990  Protective Coloration
1991  Cat Dance
1993  Acceleration
1993  Unauthorized Access
1994  I’ll Walk with God
1997  Back in the Saddle Again
1998  NOEMA
1999  in.side.out
2001  Angel Beach
2001  More Than Meets the Eye: Remaking Jane Fonda
2003  To Love or To Die
2004  Shape Shift
2005  Driven
2006  All About the Illusion
2008  Right
2008  Speechless
2010  Compressive/Percussive
2010  Longhorn Tremolo
2012  BLOOM
2012  One Way to Find Out
2012  Tenpin Arpeggio
2012  Traces
2013  The Realist
2015  Is it true what they say
2015  Traces/Legacy
2022  Damnation
2022  Music in the Air
2022  Night Out of Song
2022  Underlying Persistent Volumes
2022  Underlying Persistent Volumes, Part 2
2024  The Last Forever
????  Love and the Epiphanists: Chapter One

Sound Recordist:
1982  Degrees of Limitation
1982  Hotel Cartograph
1985  Probability
1986  Low Resolution TV
1987  Chromesthetic Response
1987  Crazy
1988  Corners
1988  Satrapy
1988  The sound of his face
1988  W
1990  Protective Coloration
1991  Cat Dance
1993  Acceleration
1993  Unauthorized Access
1994  I’ll Walk with God
1997  Back in the Saddle Again
1998  NOEMA
1999  in.side.out
2001  Angel Beach
2001  More Than Meets the Eye: Remaking Jane Fonda
2003  To Love or To Die
2004  Shape Shift
2005  Driven
2006  All About the Illusion
2008  Right
2008  Speechless
2010  Compressive/Percussive
2010  Longhorn Tremolo
2012  BLOOM
2012  One Way to Find Out
2012  Tenpin Arpeggio
2012  Traces
2013  The Realist
2015  Is it true what they say
2015  Traces/Legacy
2022  Damnation
2022  Music in the Air
2022  Night Out of Song
2022  Underlying Persistent Volumes
2022  Underlying Persistent Volumes, Part 2
2024  The Last Forever
????  Love and the Epiphanists: Chapter One

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.