Jeff Keen (1923-2012)

Birthplace:
Trowbridge, Wiltshire, England, UK

Born:
November 26, 1923

Died:
June 21, 2012

Jeff Keen (1923–2012) was a pioneer of experimental film whose rapid-fire animations, multiple screen projections and raucous performances redefined multimedia art in Britain.  Keen was a veteran of the Second World War, and his work powerfully evokes the violence, colour, speed and noise of the 20th century. He transformed cinema into a riotous collage of comics, drawings, B-movie posters, plastic toys, burning props and extravagant costumes. His early 8 mm and 16 mm films are built for speed, combining footage of Beat-era motifs – jazz, motorbikes and car culture – with experimental animations in which the achievements and atrocities of the 20th century seem to flash by within a few short, cacophonous seconds. A single frame could not contain the frenzied energy of Keen’s imagination, and by the mid-1960s he began to use multiple screens and live action in presentations of his work.

Additional information:

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Cinematography:
1961  The Autumn Feast

Director:
1960  Wail
1961  Like the Time Is Now
1961  The Autumn Feast
1962  Breakout
1964  The Pink Auto
1965  Flik Flak
1965  Instant Cinema
1965  Missing Close-ups
1965  The Games and Diversions of Dr. Gaz
1967  Cineblatz
1967  Marvo Movie
1968  Meatdaze
1968  White Lite
1969  Day of the Arcane Light
1969  Family Star (The Mutt & Jeff Icecream Sundae + Mothman)
1970  Rayday Film
1972  Diary Films
1972  Stolen Moments
1972  White Dust
1975  24 Films
1975  Lone Star
1975  Rosa Canina
1976  Godzilla: Last of the Creatures
1978  Mad Love
1979  The Cartoon Theatre of Dr Gaz
1980  Return of Silver Head
1980  Victory Thru Film Power
1984  The Dreams and Past Crimes of the Archduke
1986  Blatzom
1989  Spontaneous Combustion
1990  Artwar Loop 1
1990  Artwar Loop 2
1990  B-B-B Bom and Life Storm
1990  Blatzom in Artwar
1990  Blazomatika
1990  Blazon Blatzom: El Pistolera Blatzo
1990  Plasticator
1990  Pulverised Cinema
1991  Omozap
1991  Omozap 2
1991  Plazmatic Blatz
1993  Artwar: The Last Frontier
1993  Kino Pulveriso
1994  Artwar
1994  Hamma Blatz Onata
1995  Artwar Fallout + Artwar 3
1995  Omozap in Artwar
1999  Kino Staccato
2000  Joy Thru Film
2002  Afterblatz 2
2002  Omozap Terribelis
2006  Eyeblaze

Writer:
1960  Wail
1961  Like the Time Is Now
1961  The Autumn Feast
1962  Breakout
1964  The Pink Auto
1965  Flik Flak
1965  Instant Cinema
1965  Missing Close-ups
1965  The Games and Diversions of Dr. Gaz
1967  Cineblatz
1967  Marvo Movie
1968  Meatdaze
1968  White Lite
1969  Day of the Arcane Light
1969  Family Star (The Mutt & Jeff Icecream Sundae + Mothman)
1970  Rayday Film
1972  Diary Films
1972  Stolen Moments
1972  White Dust
1975  24 Films
1975  Lone Star
1975  Rosa Canina
1976  Godzilla: Last of the Creatures
1978  Mad Love
1979  The Cartoon Theatre of Dr Gaz
1980  Return of Silver Head
1980  Victory Thru Film Power
1984  The Dreams and Past Crimes of the Archduke
1986  Blatzom
1989  Spontaneous Combustion
1990  Artwar Loop 1
1990  Artwar Loop 2
1990  B-B-B Bom and Life Storm
1990  Blatzom in Artwar
1990  Blazomatika
1990  Blazon Blatzom: El Pistolera Blatzo
1990  Plasticator
1990  Pulverised Cinema
1991  Omozap
1991  Omozap 2
1991  Plazmatic Blatz
1993  Artwar: The Last Frontier
1993  Kino Pulveriso
1994  Artwar
1994  Hamma Blatz Onata
1995  Artwar Fallout + Artwar 3
1995  Omozap in Artwar
1999  Kino Staccato
2000  Joy Thru Film
2002  Afterblatz 2
2002  Omozap Terribelis
2006  Eyeblaze

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.