Patrick Lumb

Gallery Unavailable

Birthplace:
Bournemouth, Dorset, UK

Patrick Lumb was born in Dorset, England in 1966. At the age of 11 he moved with his family to Scotland and then at 16, left home to attend The Central School of Art, London. He went on to study Fine Art (Painting) and graduated with B.A. (Hons.) on his 21st birthday from Falmouth School of Art, Cornwall. In 1989 he moved to the US after being awarded a Full Merit Scholarship to the prestigious School of the Art Institute of Chicago. After travelling extensively in the US and graduating in 1992 with a Master's degree in Fine Art, specializing in Film, Photography and Digital Imaging, Patrick returned to Europe, to take up a teaching position as Head of the Art and Design History Dept. at Oakham School, Rutland UK. In 1996 he moved back to Los Angeles CA, to begin a career in Film. Patrick and his wife Nancy were married in Los Angeles in 1991 and have three sons Myles, Pearse and Tate. They have a dog called Rex and spend their time between their homes in Los Angeles and Lucca, Italy.

Additional information:

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Art Direction:
2001  To End All Wars

Production Design:
2001  To End All Wars
2004  Flight of the Phoenix
2006  The Omen
2008  Valkyrie
2010  A Nightmare on Elm Street
2014  Playing It Cool
2022  Spin Me Round

Set Dresser:
2001  To End All Wars
2004  Flight of the Phoenix
2006  The Omen
2008  Valkyrie
2010  A Nightmare on Elm Street
2014  Playing It Cool
2022  Spin Me Round

Supervising Art Director:
2001  Behind Enemy Lines
2001  To End All Wars
2004  Flight of the Phoenix
2006  The Omen
2008  Valkyrie
2009  Public Enemies
2010  A Nightmare on Elm Street
2014  Playing It Cool
2022  Spin Me Round

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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