A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
December 8, 1982
Andrea Carballo (born December 8, 1982) is an Argentinian actress with experience on Films, Theatre and TV. Watching Andrea's portfolio is sufficient to appreciate her multi-faceted acting skills. Instead of confining her acting to exact gestures, tones, and personifications of characters, she achieves, from one role to the next, genuine and complete transformations. There is reason to believe that with her talent and technical ability, this young actress, born in 1982, will have a fertile and successful future. Educated in a diverse range of acting techniques, she has ten years experience working in theatre, film, and television, including the following: Lo Que Haria, a film by Natural Arpajou, winner of 'best short film' in several national and international film festivals, presented in the Short Film Corner of the Cannes Film Festival, and for which Andrea Carballo received the 'best actress' prize at: the International Short Film Week in Bolivia; the Pedrera Short Film Festival, Uruguay; the Film and Video Festival in Rosario, Argentina; and the Ituzaingó International Film Festival in Buenos Aires, Argentina. Ni una sola Palabra de Amor, by Niño Rodriguez; Cielo Azul, Cielo Negra, by Paula de Luque and Sabrina Farji; Carne de Neón, by Paco Cabezas; Los Diarios de Juan Bushwick, by David Gutierrez Camps; Marea, by Brenda Urlacher. A sample of television work: Las 13 Esposas de Wilson Fernandez, directed by Gaston Portal ; Le due facce dell amore, Canale 5, Italy, directed by Monica Vullo and Maurizio Simonetti; Finding Sofia (forthcoming), a movie directed by Nicolas Casavecchia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.