Gloria DeHaven (1925-2016)

Alias:
Gloria De Haven
Gloria Mildred DeHaven

Birthplace:
Los Angeles, California, USA

Born:
July 23, 1925

Died:
July 30, 2016

Gloria Mildred DeHaven (born July 23, 1925) is an American actress, singer and a former contract star for Metro-Goldwyn-Mayer.  DeHaven was born in Los Angeles, California, the daughter of actor-director, Carter DeHaven, and actress, Flora Parker DeHaven, both former vaudeville performers.  She began her career as a child actor with a bit part in Charlie Chaplin's Modern Times (1936). She was signed to a contract with MGM. Despite featured roles in such films as Best Foot Forward, The Thin Man Goes Home (1944) and Summer Stock (1950), and being voted by exhibitors as the third most likely to be a "star of tomorrow'" in 1944, she did not achieve film stardom. She portrayed her own mother, Flora Parker DeHaven, in the Fred Astaire film Three Little Words (1950).  DeHaven also appeared as a regular in the television series and soap operas As the World Turns, Mary Hartman, Mary Hartman and Ryan's Hope. She was one of the numerous celebrities enticed to appear in the all-star box office flop, Won Ton Ton, the Dog Who Saved Hollywood (1976), and has guest starred in such television series as Robert Montgomery Presents, Appointment with Adventure (episode entitled "The Snow People"), The Guy Mitchell Show, Johnny Ringo (as Rosemary Blake in "Love Affair"), The Rifleman, Wagon Train, The Lloyd Bridges Show, Marcus Welby, M.D., Gunsmoke, Mannix, Fantasy Island, Hart to Hart, The Love Boat, Mama's Family, Highway to Heaven, Murder, She Wrote and Touched by an Angel. She was also on five episodes of Match Game 75 along with Patti Deutsch and Buck Owens as guest panelists.  Gloria DeHaven died July 30, 2016 (age 91), in Las Vegas, Nevada, USA.  From Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.