A work in constant progress (and occasional regress).
Sound:
2011 Maskara
2012 Kalayaan
2012 Kamera Obskura
Sound Designer:
2006 Manay Po!
2007 Slingshot
2008 Now Showing
2009 Manila
2011 Ligo na Ü, Lapit na Me
2011 Maskara
2012 Exchange
2012 Kalayaan
2012 Kamera Obskura
2012 Rigodon
2012 Six Degrees of Separation from Lilia Cuntapay
2012 Tiktik: The Aswang Chronicles
2012 What Isn't There
2013 Death March
2018 Distance
Sound Editor:
2006 Manay Po!
2007 Slingshot
2008 Now Showing
2009 Ante
2009 Manila
2011 Ligo na Ü, Lapit na Me
2011 Maskara
2012 Exchange
2012 Kalayaan
2012 Kamera Obskura
2012 Rigodon
2012 Six Degrees of Separation from Lilia Cuntapay
2012 Tiktik: The Aswang Chronicles
2012 What Isn't There
2013 Death March
2018 Distance
Sound Engineer:
2006 Manay Po!
2006 The Bet Collector
2007 Slingshot
2007 The Goat
2008 Next Attraction
2008 Now Showing
2009 Ante
2009 Ded na si Lolo
2009 Manila
2009 Squalor
2011 Ligo na Ü, Lapit na Me
2011 Maskara
2011 Rakenrol
2012 Exchange
2012 Kalayaan
2012 Kamera Obskura
2012 Rigodon
2012 Six Degrees of Separation from Lilia Cuntapay
2012 The Journey of Stars Into the Dark Night
2012 Tiktik: The Aswang Chronicles
2012 What Isn't There
2013 Death March
2018 Distance
Sound Supervisor:
2006 Manay Po!
2006 The Bet Collector
2007 Slingshot
2007 The Goat
2008 Next Attraction
2008 Now Showing
2008 The Thank You Girls
2009 Ante
2009 Ded na si Lolo
2009 Manila
2009 Soliloquy
2009 Squalor
2011 Deadline - Reign of Impunity
2011 Ligo na Ü, Lapit na Me
2011 Maskara
2011 Rakenrol
2012 Exchange
2012 Kalayaan
2012 Kamera Obskura
2012 Rigodon
2012 Six Degrees of Separation from Lilia Cuntapay
2012 The Journey of Stars Into the Dark Night
2012 Tiktik: The Aswang Chronicles
2012 What Isn't There
2013 Death March
2018 Distance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.