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Alan C. Bosshardt

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Alias:
A. Boshardt
A. Bosshardt
Alan
Alan Basshardt
Alan Basshart
Alan Bassinger
Alan Boschardt
Alan Bosehart
Alan Boshard
Alan Boshardt
Alan Boshart
Alan Boss
Alan Bosshandt
Alan Bosshardt
Alan Bosshart
Alan Bossheart
Alan Bouschard
Alan Boushard
Alan C. Boschardt
Alan Hart
Allan
Allan Bee
Allan Bosshardt
Allan Bosshart
Allen Basenger
Allen Bassenger
Allen Bosshardt
Avan Bosshardt

Biography from TheMovieDB

Alan Bosshardt began his career doing Special Effects makeup in 1982, but in order to sustain a living, began doing hair and makeup (and occasional character roles) in the Adult industry as well, working on many porn projects in the 80s, as well as mainstream jobs. By the 90s, he was working in mainstream full-time, and became Pamela Anderson's stylist for Baywatch in 1994, and continued to work as her personal stylist for many years. Bosshardt also became involved in doing hair and makeup for Playboy during this period, and headed the Makeup department for Anderson's show V.I.P. (1998), where he was nominated for a Daytime Emmy in 2001.

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Additional information:

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Film Production

Assistant Makeup Artist:
1985  Young Lady Chatterley II

Hairstylist:
1985  Young Lady Chatterley II
1989  L.A. Bounty
1994  Killer Looks

Key Makeup Artist:
1985  Young Lady Chatterley II
1989  L.A. Bounty
1994  Killer Looks
1995  Ice Cream Man

Makeup Artist:
1985  Young Lady Chatterley II
1988  A Night at the Magic Castle
1988  Droid
1989  L.A. Bounty
1992  The Erotic Adventures of the Three Musketeers
1994  Killer Looks
1995  Ice Cream Man
1996  Barb Wire

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TV Production

Makeup Department Head:
1998  V.I.P.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.