A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Anna Biller is known for her lavish use of color, her original brand of narcissistic feminism and her witty imitations of old Hollywood spectacle and genre movies. She has completed several short films and written two stage musicals, and has done her own set and costume design on all of them. She did her undergraduate studies at UCLA in art, and her graduate studies at CalArts in art and film. She worked on an erotic feature film set in the sexy 1970s called Viva (2007).
Art Direction:
2016 The Love Witch
Costume Design:
1994 Three Examples of Myself as Queen
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
Director:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Editor:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Music:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Music Arranger:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Original Music Composer:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Painter:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Producer:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Production Design:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Screenplay:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Set Decoration:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Writer:
1994 Three Examples of Myself as Queen
1998 Fairy Ballet
2001 A Visit from the Incubus
2001 The Hypnotist
2008 Viva
2016 The Love Witch
???? Bluebeard
???? The Face of Horror
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.