Claire Andrade-Watkins

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Dr. Claire Andrade-Watkins, a 2nd generation born Cape Verdean American, is an award-winning historian and filmmaker. She is Professor of Film and African Studies at the Institute for Liberal Arts & Interdisciplinary Studies at Emerson College; a Visiting Scholar at the Center for the Study of Slavery and Justice at Brown University; and a Distinguished Community Practitioner & Senior Fellow at the Swearer Center for Public Service at Brown University. A 1995 Fulbright Scholar, her scholarship focuses on French and Portuguese-speaking African cinema. She has published in Society for Visual Anthropology, Research in African Literature, The Independent Film and Video Monthly, American Historical Review, and CinémAction.  In June 2016, the Museum of Fine Arts, Boston, MA presented a retrospective of her work, Our Rhode: 30 Years of Cinema By and About Cape Verdean Rhode Islanders. Her critically acclaimed first feature film, “Some Kind of Funny Porto Rican?”: A Cape Verdean American Story was released in 2006 and her work has aired on WGBH-TV, WSBE TV, Rhode Island PBS, cable cast on P.E.G.-TV RI, and leading festivals of Africana Diaspora in the USA, Europe and Africa. Competitive festival screenings for Serenata de Amor (2013) A Cape Verdean love story told in song include Oia! Festival, Sao Vicente, Cape Verde, 2015, Roxbury International Film Festival 2014, Official Selection, Athens International Film & Video Festival 2014, Showcase Selection, Lucerne International Film Festival, 2014 and Official Selection,Madrid International Film Festival, for Best Music in Film 2014.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.