Larry Gottheim (b. 1936)

Birthplace:
New York, New York

Born:
December 3, 1936

Born in 1936, Larry Gottheim taught himself 16mm filmmaking in the 1960s and became one of America's leading avant-garde filmmakers. From his late-1960s series of sublime 'single-shot' films to the dense sound/image constructs of the mid-1970s and after, his cinema is the cinema of presence, of observation, and of deep conscious engagement. While addressing genres of landscape, diary and assemblage filmmaking, Gottheim's work properly stands alone in its intensive investigations of the paradoxes between direct, sensual experience in collision with complex structures of repetition, anticipation and memory.  Gottheim developed the Department of Cinema in Binghamton, N.Y. and taught there for more than three decades. This extremely influential department attracted the most talented artists, academics, and filmmakers of the day including Ken Jacobs, Hollis Frampton, Peter Kubelka, and Ernie Gehr among many others. In the 1990's Gottheim has also served for a brief time as director of the Filmmaker's Co-op in New York. Gottheim's films are in the collections of museums and archives throughout the world, and a program of his restored early films premiered at the 2005 New York Film Festival.

Additional information:

The Search Form


Cinematography:
2024  A Private Room

Director:
1969  ALA
1969  Blues
1970  Corn
1970  Fog Line
1971  Barn Rushes
1971  Doorway
1971  Harmonica
1971  Thought
1973  Horizons
1976  Mouches Volantes
1978  Four Shadows
1981  Tree of Knowledge
1983  Natural Selection
1984  "Sorry/Hear Us"
1987  Mnemosyne Mother of Muses
1987  The Red Thread
1989  Machete Gillette... Mama
1991  Your Television Traveler
2012  The Opening
2017  Chants and Dances for Hand
2019  Knot/Not
2022  Entanglement
2024  A Private Room

Editor:
1969  ALA
1969  Blues
1970  Corn
1970  Fog Line
1971  Barn Rushes
1971  Doorway
1971  Harmonica
1971  Thought
1973  Horizons
1976  Mouches Volantes
1978  Four Shadows
1981  Tree of Knowledge
1983  Natural Selection
1984  "Sorry/Hear Us"
1987  Mnemosyne Mother of Muses
1987  The Red Thread
1989  Machete Gillette... Mama
1991  Your Television Traveler
2012  The Opening
2017  Chants and Dances for Hand
2019  Knot/Not
2022  Entanglement
2024  A Private Room

Producer:
1969  ALA
1969  Blues
1970  Corn
1970  Fog Line
1971  Barn Rushes
1971  Doorway
1971  Harmonica
1971  Thought
1973  Horizons
1976  Mouches Volantes
1978  Four Shadows
1981  Tree of Knowledge
1983  Natural Selection
1984  "Sorry/Hear Us"
1987  Mnemosyne Mother of Muses
1987  The Red Thread
1989  Machete Gillette... Mama
1991  Your Television Traveler
2012  The Opening
2017  Chants and Dances for Hand
2019  Knot/Not
2022  Entanglement
2024  A Private Room

Sound:
1969  ALA
1969  Blues
1970  Corn
1970  Fog Line
1971  Barn Rushes
1971  Doorway
1971  Harmonica
1971  Thought
1973  Horizons
1976  Mouches Volantes
1978  Four Shadows
1981  Tree of Knowledge
1983  Natural Selection
1984  "Sorry/Hear Us"
1987  Mnemosyne Mother of Muses
1987  The Red Thread
1989  Machete Gillette... Mama
1991  Your Television Traveler
2012  The Opening
2017  Chants and Dances for Hand
2019  Knot/Not
2022  Entanglement
2024  A Private Room

Writer:
1969  ALA
1969  Blues
1970  Corn
1970  Fog Line
1971  Barn Rushes
1971  Doorway
1971  Harmonica
1971  Thought
1973  Horizons
1976  Mouches Volantes
1978  Four Shadows
1981  Tree of Knowledge
1983  Natural Selection
1984  "Sorry/Hear Us"
1987  Mnemosyne Mother of Muses
1987  The Red Thread
1989  Machete Gillette... Mama
1991  Your Television Traveler
2012  The Opening
2017  Chants and Dances for Hand
2019  Knot/Not
2022  Entanglement
2024  A Private Room

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.