A work in constant progress (and occasional regress).
Birthplace:
Bronx, New York
Born:
February 10, 1942
A key figure in Conceptual Art, Lawrence Weiner has long pursued inquiries into language and the art-making process. From his pioneering installation works of the 1960s and '70s through his new digital projects, Weiner posits a radical redefinition of the artist/viewer relationship and the very nature of the artwork. Translating his investigations into linguistic structures and visual systems across varied formats and manifestations, Weiner has also produced books, films, videos, performances and audio works.
Director:
1970 Beached
1972 Shifted From the Side
1972 To and Fro. Fro and To. And To and Fro. And Fro and To.
1974 Done To
1975 A First Quarter
1976 A Bit of Matter and A Little Bit More
1976 Do You Believe In Water?
1976 Green As Well As Blue As Well As Red
1979 Altered to Suit
1979 There But For
1981 Passage to the North
1982 Plowman's Lunch
1999 Hearts and Helicopters - A Trilogy
2001 Blue Moon Over
2002 Wild Blue Yonder
2003 Sink or Swim
2006 Liberté et contrainte
2007 Turning Some Pages
2008 Water in Milk Exists
???? Broken Off
Editor:
1970 Beached
1972 Shifted From the Side
1972 To and Fro. Fro and To. And To and Fro. And Fro and To.
1974 Done To
1975 A First Quarter
1976 A Bit of Matter and A Little Bit More
1976 Do You Believe In Water?
1976 Green As Well As Blue As Well As Red
1979 Altered to Suit
1979 There But For
1981 Passage to the North
1982 Plowman's Lunch
1999 Hearts and Helicopters - A Trilogy
2001 Blue Moon Over
2002 Wild Blue Yonder
2003 Sink or Swim
2006 Liberté et contrainte
2007 Turning Some Pages
2008 Water in Milk Exists
???? Broken Off
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.