Potsy Ponciroli

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Potsy Ponciroli is a director and writer, known for Old Henry (2021), Jay and Silent Bob Reboot (2019) and Ted K (2021). He has been married to Amber Ponciroli since October 19, 2018. He has two children. He is originally from Virginia but moved to Nashville after college. Before he got into movies he worked in music videos and filming those.

Additional information:

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Assistant Director:
2007  Adrenaline

Director:
2007  Adrenaline
2012  Super Zeroes
2021  Old Henry
2024  Greedy People
????  Happy & Dead
????  Motor City

Executive Producer:
2007  Adrenaline
2012  Super Zeroes
2017  Beauty Mark
2019  3022
2019  Jay and Silent Bob Reboot
2021  Old Henry
2021  Ted K
2024  Asleep in My Palm
2024  Greedy People
????  Happy & Dead
????  Motor City

Producer:
2007  Adrenaline
2012  Super Zeroes
2017  Beauty Mark
2019  3022
2019  Jay and Silent Bob Reboot
2021  Howard’s Mill
2021  Old Henry
2021  Ted K
2024  Asleep in My Palm
2024  Greedy People
????  Happy & Dead
????  Motor City

Production Accountant:
2006  Taylor Swift: A Place in This World
2007  Adrenaline
2012  Super Zeroes
2017  Beauty Mark
2019  3022
2019  Jay and Silent Bob Reboot
2021  Howard’s Mill
2021  Old Henry
2021  Ted K
2024  Asleep in My Palm
2024  Greedy People
????  Happy & Dead
????  Motor City

Screenplay:
2006  Taylor Swift: A Place in This World
2007  Adrenaline
2012  Super Zeroes
2017  Beauty Mark
2019  3022
2019  Jay and Silent Bob Reboot
2021  Howard’s Mill
2021  Old Henry
2021  Ted K
2024  Asleep in My Palm
2024  Greedy People
????  Happy & Dead
????  Motor City

Creator:
2016  Still the King

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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