A work in constant progress (and occasional regress).
Art Direction:
1969  Tepepa
1972  The Mighty Anselmo and His Squire
1976  The Mistress is Served
Costume Design:
1969  Tepepa
1972  The Mighty Anselmo and His Squire
1976  The Mistress is Served
1981  Help Me Dream
Costume Designer:
1969  Tepepa
1972  The Mighty Anselmo and His Squire
1974  Flavia the Heretic
1976  The Mistress is Served
1981  Help Me Dream
1982  Venezia, carnevale, un amore
Production Design:
1966  Our Husbands
1969  Tepepa
1970  Metello
1971  Il furto è l'anima del commercio!?...
1972  Chronicle of a Homicide
1972  The Mighty Anselmo and His Squire
1974  Flavia the Heretic
1974  The Murri Affair
1976  Dimmi che fai tutto per me
1976  House of Pleasure for Women
1976  The Mistress is Served
1978  Swept Away by Family Affection
1981  Help Me Dream
1982  Holy Cow
1982  The Magic Screen
1982  Venezia, carnevale, un amore
1983  Son contento
1983  The Pool Hustlers
1984  Aurora
1988  Don Bosco
1988  Le due croci
1990  Only One Survived
1991  Se non avessi l'amore
2002  Tornare indietro
Set Decoration:
1966  Our Husbands
1969  Tepepa
1970  Metello
1971  Il furto è l'anima del commercio!?...
1972  Chronicle of a Homicide
1972  The Mighty Anselmo and His Squire
1974  Flavia the Heretic
1974  The Murri Affair
1976  Dimmi che fai tutto per me
1976  House of Pleasure for Women
1976  The Mistress is Served
1978  Swept Away by Family Affection
1981  Help Me Dream
1982  Holy Cow
1982  The Magic Screen
1982  Venezia, carnevale, un amore
1983  Son contento
1983  The Pool Hustlers
1984  Aurora
1988  Don Bosco
1988  Le due croci
1990  Only One Survived
1991  Se non avessi l'amore
2002  Tornare indietro
Production Design:
1992  Camilla parlami d'amore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.