A work in constant progress (and occasional regress).
Alias:
Yuriy Olesha
Юрий Карлович Олеша
Юрий Олеша
Юрій Олеша
Birthplace:
Yelisavetgrad, Russian Empire [now Kropyvnytskyi, Ukraine]
Born:
February 19, 1899
Died:
May 10, 1960
Yury Karlovich Olesha (3 March 1899 – 10 May 1960) was a Ukranian-born Russian prose writer and playwright whose works address the conflict between old and new mentalities in the early years of the Soviet Union. He is best known for his satirical novel 'Envy' (1927), revolutionary fairy tale 'Three Fat Men' (1928), stage play 'A List of Benefits' (1931), the screenplay for Abram Room's 1936 film 'A Severe Young Man' and his posthumously published memoir 'No Day Without a Line' (1965). He is sometimes grouped with his contemporaries Ilf and Petrov, Isaac Babel, and Sigismund Krzhizhanovsky into the Odessa School of Writers. He is considered one of the greatest Russian novelists of the 20th century, one of the few to have succeeded in writing works of lasting artistic merit despite the stifling censorship of the era. Writing in expressionistc style, Olesha's work differed radically from the school of the Socialist Realism. When the authorities realized that Olesha was more ambiguous than was permissible, he fell from favor. After Stalin's death, Olesha was rehabilitated.
Novel:
1966 Three Fat Men
1980 Separated
Writer:
1938 Soldiers of the Swamp
1939 Engineer Kochin's Error
1950 The Girl at the Circus
1951 The Tale of the Dead Princess and the Seven Knights
1963 Three Fat Men
1966 Three Fat Men
1969 Belated Flowers
1980 Separated
2019 A Severe Young Man
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.