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Gaëlle Boucand

Biography from TheMovieDB

Since 2010, Gaëlle Boucand, an artist and cineaste, has focused on making films that are a blend between contemporary art and contemporary cinema. She has directed among others GONE TO CROATAN (2010), in which she follows a community of ravers, along with the trilogy — JJA (2012), CHANGE OF SCENERY (2015) and J.A. (2020) — a kaleidoscopic portrait of a man whose life is caught up in the 20th century history. Her films have been shown throughout various international art institutions (Paris Museum of Modern Art, Kunsthalle Mannheim, MAST Bologne, Bethanien Berlin, Athens and Thessaloniki Museums of Contemporary Art…) and have won awards in FID Marseille, Hors Pistes Festival in Beaubourg and Coté Court in Pantin. In 2015, she co-founded the production company Elinka Film with 4 other directors.

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Film Performances

  • 2020  JA

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Film Production

Director:
2012  JJA
2015  Change of Scenery
2020  JA
2020  Voin
????  MARGOT & VANESSA

Director of Photography:
2012  JJA
2015  Change of Scenery
2020  JA
2020  Voin
????  MARGOT & VANESSA

Editor:
2012  JJA
2015  Change of Scenery
2020  JA
2020  Voin
????  MARGOT & VANESSA

Producer:
2012  JJA
2015  Change of Scenery
2020  JA
2020  Voin
2021  Notes for les Sanglières
2023  Last Things
????  MARGOT & VANESSA

Sound Recordist:
2012  JJA
2015  Change of Scenery
2020  JA
2020  Voin
2021  Notes for les Sanglières
2023  Last Things
????  MARGOT & VANESSA

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.