André Jacquemin

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Music:
1982  The Rupert Bear Story: A Tribute to Alfred Bestall

Original Music Composer:
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  The Big Freeze
2008  Chemical Wedding

Producer:
1922  The Portrait of the Admiral
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  The Big Freeze
2008  Chemical Wedding

Songs:
1922  The Portrait of the Admiral
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding

Sound:
1922  The Portrait of the Admiral
1981  Time Bandits
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding

Sound Designer:
1922  The Portrait of the Admiral
1981  Time Bandits
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding
2012  Cleanskin
2013  Believe
2013  The Zero Theorem
2013  Twilight of the Gods
2021  Vengeance Is Mine

Sound Engineer:
1922  The Portrait of the Admiral
1981  Time Bandits
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  Naked
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding
2012  Cleanskin
2013  Believe
2013  The Zero Theorem
2013  Twilight of the Gods
2021  Vengeance Is Mine

Sound Supervisor:
1922  The Portrait of the Admiral
1981  Time Bandits
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  Naked
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding
2012  Cleanskin
2013  Believe
2013  The Zero Theorem
2013  Twilight of the Gods
2021  Vengeance Is Mine

Supervising Sound Editor:
1922  The Portrait of the Admiral
1981  Time Bandits
1982  The Rupert Bear Story: A Tribute to Alfred Bestall
1993  Naked
1993  The Big Freeze
1996  The Wind in the Willows
2008  Chemical Wedding
2012  Cleanskin
2013  Believe
2013  The Zero Theorem
2013  Twilight of the Gods
2018  The Man Who Killed Don Quixote
2021  Vengeance Is Mine

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.