A work in constant progress (and occasional regress).
Birthplace:
Bogotá, Colombia
Lina Rodríguez is a Colombian film director, producer and screenwriter, known for her feature films Señoritas and Mañana a esta hora and the short film Ante mis ojos.
Art Direction:
2015 El Mal de Los 7 Dias
Director:
2008 Convergences and Reunions
2010 Einschnitte
2011 Protocol
2013 Señoritas
2015 El Mal de Los 7 Dias
2016 This Time Tomorrow
2018 Ante mis ojos
2019 Aquí y allá
2022 Cinépistolaire - Episode 2
2022 My Two Voices
2022 So Much Tenderness
Editor:
2008 Convergences and Reunions
2010 Einschnitte
2011 Protocol
2013 Señoritas
2015 El Mal de Los 7 Dias
2016 This Time Tomorrow
2018 Ante mis ojos
2019 Aquí y allá
2022 Cinépistolaire - Episode 2
2022 My Two Voices
2022 So Much Tenderness
Producer:
2008 Convergences and Reunions
2010 Einschnitte
2011 Protocol
2013 Señoritas
2015 El Mal de Los 7 Dias
2016 This Time Tomorrow
2018 Ante mis ojos
2019 Aquí y allá
2022 Cinépistolaire - Episode 2
2022 My Two Voices
2022 So Much Tenderness
Script:
2008 Convergences and Reunions
2010 Einschnitte
2011 Protocol
2013 Señoritas
2015 El Mal de Los 7 Dias
2016 This Time Tomorrow
2018 Ante mis ojos
2019 Aquí y allá
2022 Cinépistolaire - Episode 2
2022 My Two Voices
2022 So Much Tenderness
Writer:
2008 Convergences and Reunions
2010 Einschnitte
2011 Protocol
2013 Señoritas
2015 El Mal de Los 7 Dias
2016 This Time Tomorrow
2018 Ante mis ojos
2019 Aquí y allá
2022 Cinépistolaire - Episode 2
2022 My Two Voices
2022 So Much Tenderness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.