A work in constant progress (and occasional regress).
Alias:
安娜·瓦斯
Birthplace:
Brasília, Distrito Federal, Brazil
Born:
January 1, 1986
Ana Vaz (b. 1986, Brasília) is an artist and filmmaker whose films and other expanded works speculate upon the relationships between self and other, myth and history through a cosmology of signs, references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation in exploring the frictions and fictions imprinted upon both cultivated and savage environments and their multiple inhabitants. A graduate from the Royal Melbourne Institute of Technology and Le Fresnoy – Studio National des Arts Contemporains, Ana was also a member of SPEAP (SciencesPo School of Political Arts), a project conceived and directed by Bruno Latour. Recent screenings of her work include the New York Film Festival – Projections, TIFF Wavelenghts, CPH:DOX, Videobrasil, Courtisane, Cinéma du Réel and Lux Salon. In 2015, she was the recipient of the Kazuko Trust Award presented by the Film Society of Lincoln Center in recognition of artistic excellence and innovation in her moving-image work. Ana is also a founding member of the collective "Coyote" along with Tristan Bera, Nuno da Luz, Elida Hoëg and Clémence Seurat, a cross-disciplinary group working in the fields of ecology, anthropology, ethnology and political science through an array of crosscutting platforms. Her films are distributed by Light Cone & the Canadian Filmmaker Distribution Centre.
Cinematography:
2016 There Is Land!
2018 Look Closely at the Mountains
2021 Thirteen Ways of Looking at a Blackbird
Co-Producer:
2016 There Is Land!
2018 Look Closely at the Mountains
2021 Thirteen Ways of Looking at a Blackbird
Director:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Director of Photography:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Editor:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Sound:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Sound Designer:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Sound Editor:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Writer:
2008 Sacris Pulso
2012 Entre Temps
2012 Les Mains, Négatives
2013 The Age of Stone
2015 A Film, Reclaimed
2015 Occidente
2016 Amérika: Bahia de las Flechas
2016 There Is Land!
2018 Amazing Fantasy
2018 Atomic Garden
2018 Dreaming In The Dark
2018 Look Closely at the Mountains
2020 Apiyemiyekî?
2020 PSEUDOSPHYNX
2021 Thirteen Ways of Looking at a Blackbird
2022 The Tree
2023 El Espejo
2023 Meteoro
2024 It Is Night in America
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.