Ellie Wen

Birthplace:
Hong Kong, China

Ellie was born in Hong Kong and moved to Los Angeles when she was eight years old. She attended Stanford University and graduated in 2009 with a BA in Drama and a Minor in Sociology.  Upon graduation from Stanford, she moved back to Los Angeles to pursue a career in the film industry. Ellie was selected for the 2012 Project Involve fellowship program and was named the Barbara Boyle Scholar. She has directed and produced numerous shorts, documentaries, and features, including White Frog, which she co-wrote. In addition to creating independently, she has also worked at CAA and CBS Films in all aspects of film finance, sales, acquisitions, production, and development. Most recently, she was the Director of Development in Original Series at Super Deluxe, an independent entertainment studio funded by Turner.  Her documentary Single Mother Only Daughter screened at the American Cinematheque's 12th Annual Focus on Female Directors and premiered online on Short of the Week and was a Vimeo Staff Pick. She will soon release a short documentary series online about social entrepreneurs around the world.

Additional information:

The Search Form


Director:
2016  Single Mother Only Daughter
2018  Share
2020  The Missfits

Producer:
2012  White Frog
2016  Single Mother Only Daughter
2018  Share
2020  The Missfits

Writer:
2012  White Frog
2016  Single Mother Only Daughter
2018  Share
2020  The Missfits

Post Production Coordinator:
2023  Voices Rising: The Music of Wakanda Forever

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.