A work in constant progress (and occasional regress).
Property Master:
1954 Target Earth
1956 Kentucky Rifle
1956 Magnificent Roughnecks
1957 Gun Duel In Durango
1957 The Iron Sheriff
1958 Curse of the Faceless Man
1959 Invisible Invaders
1959 The Atomic Submarine
1959 The Four Skulls of Jonathan Drake
1961 Boy Who Caught a Crook
1961 Five Guns to Tombstone
1961 Police Dog Story
1961 The Flight That Disappeared
1963 The Gun Hawk
1964 The Best Man
1966 Frankie and Johnny
1967 The Ambushers
1968 How to Save a Marriage and Ruin Your Life
1968 The Wrecking Crew
1969 Bob & Carol & Ted & Alice
Props:
1954 Target Earth
1956 Kentucky Rifle
1956 Magnificent Roughnecks
1957 Gun Duel In Durango
1957 Sierra Stranger
1957 The Iron Sheriff
1958 Curse of the Faceless Man
1959 Invisible Invaders
1959 The Atomic Submarine
1959 The Four Skulls of Jonathan Drake
1961 Boy Who Caught a Crook
1961 Five Guns to Tombstone
1961 Police Dog Story
1961 The Flight That Disappeared
1963 The Gun Hawk
1964 The Best Man
1966 Frankie and Johnny
1967 The Ambushers
1968 How to Save a Marriage and Ruin Your Life
1968 The Wrecking Crew
1969 Bob & Carol & Ted & Alice
Set Decoration:
1954 Target Earth
1956 Kentucky Rifle
1956 Magnificent Roughnecks
1957 Gun Duel In Durango
1957 Sierra Stranger
1957 The Iron Sheriff
1958 Curse of the Faceless Man
1959 Invisible Invaders
1959 The Atomic Submarine
1959 The Four Skulls of Jonathan Drake
1960 Tess of the Storm Country
1961 Boy Who Caught a Crook
1961 Five Guns to Tombstone
1961 Police Dog Story
1961 The Flight That Disappeared
1963 The Gun Hawk
1964 The Best Man
1966 Frankie and Johnny
1967 The Ambushers
1968 How to Save a Marriage and Ruin Your Life
1968 The Wrecking Crew
1969 Bob & Carol & Ted & Alice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.