António Borges Correia

Born in 1966. Studies at the Film School in Lisbon between 1989/92.  In 1998, I made the first short film, "Golpe de Asa/“Flying Away”, which arrived in Locarno, Clermont-Ferrand and Vila do Conde.I continue to experiment with short films until 2002 and in 2007, i directed the first documentary,  "O Lar”/“Le Foyer”, a project that comes from the time of the Film School. Was shown in Paris at the Pompidou Center (Cinéma du Réel) and traveled through some international festivals. After another documentary project with war veterans, I produced and directed "Parto”/“Delivery”, following the logic of the characters who play their own role. Continued the following year with "Gesto”/“Sign” a film about a deaf boy who aspires to be a filmmaker. In 2015, “Os Olhos de André”/“André’s Eyes”, premieres at IndieLisboa, with 3 awards, including best film in the national competition, traveling in other places: Québec, Hong Kong, Gijón, London and Paris. A new film is done, “The Hours of Light” that has its debut in IndieLisboa.

Additional information:

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Assistant Director:
1994  Blind Man's Bluff

Director:
1992  Passagem
1994  Blind Man's Bluff
1999  Golpe de Asa
2006  Antes de a Vida Começar
2008  O Lar
2009  Apotheosis
2010  Parto
2011  Gesto
2012  Há Sempre um Amanhã
2012  Vidas a Crédito
2012  Vá Cavar Batatas
2015  André's Eyes
2018  The Hours Of Light
2019  Lonesome Boy
2020  The Bodiless Woman
2024  Na Mata dos Medos

Producer:
1992  Passagem
1994  Blind Man's Bluff
1999  Golpe de Asa
2006  Antes de a Vida Começar
2008  O Lar
2009  Apotheosis
2010  Parto
2011  Gesto
2012  Há Sempre um Amanhã
2012  Vidas a Crédito
2012  Vá Cavar Batatas
2015  André's Eyes
2018  The Hours Of Light
2019  Lonesome Boy
2020  The Bodiless Woman
2024  Na Mata dos Medos

Production Manager:
1992  Passagem
1994  Blind Man's Bluff
1999  Golpe de Asa
2006  Antes de a Vida Começar
2008  O Lar
2009  Apotheosis
2010  Parto
2011  Gesto
2012  E Depois Matei-o
2012  Há Sempre um Amanhã
2012  Vidas a Crédito
2012  Vá Cavar Batatas
2015  André's Eyes
2018  The Hours Of Light
2019  Lonesome Boy
2020  The Bodiless Woman
2024  Na Mata dos Medos

Writer:
1992  Passagem
1994  Blind Man's Bluff
1999  Golpe de Asa
2006  Antes de a Vida Começar
2008  O Lar
2009  Apotheosis
2010  Parto
2011  Gesto
2012  E Depois Matei-o
2012  Há Sempre um Amanhã
2012  Vidas a Crédito
2012  Vá Cavar Batatas
2015  André's Eyes
2018  The Hours Of Light
2019  Lonesome Boy
2020  The Bodiless Woman
2024  Na Mata dos Medos

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.