A work in constant progress (and occasional regress).
Born:
November 17, 1974
Tatiana Mikova is a czech composer, orchestrator/arranger based in London (UK), who has written music for motion pictures and television films/series, as well contemporary classical music works. Her FILM MUSIC CREDITS: Incorrigible, The Forest of the Dead, Bathory, The Treasure of Anna Hawkins, Trabant Goes to South America/ Trabant Goes to the End of the World, Trabant Goes to Africa, Trabant on the Silk Road, Hope, Ctibor and Mr. Sadilek, The Final Straw, Tempter, Intermezzo, as well as music orchestration/arrangement for feature films: May and Magical Duvet.
Music:
2009 Hope
2009 Trabantem Hedvábnou stezkou
2011 Trabantem napříč Afrikou
2019 The Sneeze of Love
Original Music Composer:
2009 Hope
2009 Les mrtvých
2009 Nepolepšitelný
2009 Trabantem Hedvábnou stezkou
2011 Trabantem napříč Afrikou
2019 The Sneeze of Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.